Summary
Biography
Publications Since 1992
Plays and Theatre Work
Cambridge Chekhov Company
Books In Print
Some Published Poems
Recent Writing
Work In Progress
Translation Services
Contact Information
George Calderon: Edwardian Genius
by Patrick Miles
Anton Chekhov: A Short Life
by Patrick Miles
Mikhail Gromov:
Chekhov Scholar and Critic
by Patrick Miles
A Moth on the Fence:
Memoirs by Nikolay Andreyev
translated by Patrick Miles
What Can We Hope For?:
Dialogues about the Future
John Polkinghorne and Patrick Miles
Edna’s Diary: Writing again after Stroke
compiled by Patrick Miles
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Publications Since 1992
2024
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Six poems in HQ Poetry Magazine, no. 63, 2024, p. 34
‘Foreword’, in Keith Dewhurst, Short Plays (Whitstable, Green Heart Press, 2024), p. vi-xi
Five poems in HQ Poetry Magazine, no. 62, 2024, p. 40
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2022
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‘Communist dogma’, The Times (Letters),
29 July 2022, p. 30
Anton Chekhov: A Short Life (Cambridge, Sam&Sam, 2022), 121 pp.
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2021
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Seven poems in HQ Poetry Magazine, no. 55&56, 2021, p. 32
Edna's Diary; Writing again after Stroke, compiled by Patrick Miles (Cambridge, Sam&Sam, 2021), 46 pp.
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2020
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Poem in Blithe Spirit, Journal of the British Haiku Society, 30, no.1, February 2020, p. 31
Eight poems in HQ Poetry Magazine, no. 53, 2020, p. 11
‘Christ's resurrection – and ours, John Polkinghorne talks to Patrick Miles about life after death’, Church Times, 9 April 2020, p. 26-27
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2019
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‘The War Is Over’, The Signal,
February 2019, p. 12-13
Poems in Blithe Spirit, Journal of the British Haiku Society, 29, no.1, February 2019, p. 51
‘Joseph Brodsky in Leningrad’, ‘Emigration’, PN Review, 247, May-June 2019, p. 17-20
Poems in HQ Poetry Magazine, no. 51&52, 2019, p. 11
John Polkinghorne and Patrick Miles, What Can We Hope For?: Dialogues about the Future (Cambridge, Sam&Sam, 2019), 104 pp.
Poem in Blithe Spirit, Journal of the British Haiku Society, 29, no.4, November 2019, p. 8
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2018
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George Calderon: Edwardian Genius (Cambridge, Sam&Sam, 2018), 544 pp.
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2017
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Poem in Presence, 59 (November)
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2016
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‘Plant’s magic juice’, The Times (Letters),
2 December 2016, p. 32
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2015
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‘Cromwell pedigree’, The Times (Letters),
22 January 2015, p. 35
‘George Calderon (2 December 1868-4 June 1915’, Trinity College University of Oxford Newsletter, Summer 2015, p. 15
‘It depends what you mean by “gaps”’, John Polkinghorne interviewed by Patrick Miles, Church Times, 9 October 2015, p. 24-26
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2014
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‘Laurence Binyon and Sandwich’, The Signal, November 2014, p. 9
Poem in Presence, 51 (December)
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2012
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Poems in Presence, 45 (January) and 47 (December)
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2010
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‘Chekhov at 150: The “Hampstead Connection”’, The London Magazine June/July 2010, 98-102
‘George Calderon’, TLS (Letters), 9 July 2010,
p. 6
‘Faggot fancy’, The Times (Letters), 24 September 2010, p. 31
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2009
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Nikolay Andreyev, A Moth on the Fence: Memoirs of Russia, Estonia, Czechoslovakia and Western Europe, translated by Patrick Miles (Kingston-upon-Thames, Hodgson Press, 2009), 257 pp.
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2008
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Brief Lives: Anton Chekhov (London, Hesperus Press, 2008), 117 pp.
‘Early Chekhov: The Making of a Totalitarian Consensus 1928-59, and Some Current Questions’, Slavonica, 14 (2008), no.1, 18-43
Poem in Presence, 35 (May)
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2007
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‘Aleksei Remizov’s “Prud” (“The Mere”): The Final Text of the Novel ed. by Roger J. Keys (Berkeley: Berkeley Slavic Specialities, 2004), pp. 389’, Slavonica, 13 (2007), no.2, 186-87 [review]
Poems in Presence, 31 (January) and 32 (May)
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2006
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Mikhail Gromov, Chekhov Scholar and Critic: An Essay in Cultural Difference, 2nd edn (Nottingham, Astra Press, 2006),
132 pp.
Poems in Presence, 28 (January) and 29 (May)
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2005
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‘Milne, Lesley, Zoshchenko and the Ilf-Petrov Partnership: How They Laughed (Birmingham: Birmingham Slavonic Monographs, 2003), pp. xiv + 296’, Slavonica, 11 (2005), no. 1, 97-98 [review]
Mikhail Gromov, issledovatel' Chekhova i kritik. Esse v kontekste raznosti kul'tur (Moscow, IMLI RAN, 2004 [2005]), 142 pp.
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2003
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‘C. Kelly, Russian Literature: A Very Short Introduction (Oxford and New York: Oxford University Press, 2001), pp. xviii + 164’, Slavonica, 9 (2003), no. 1, 47-48 [review]
Mikhail Gromov, Chekhov Scholar and Critic: An Essay in Cultural Difference (Nottingham, Astra Press, 2003), 132 pp.
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2001
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‘Peter Henry, Vladimir Porudominskii, and Mikhail Girshman (eds.), Vsevolod Garshin At the Turn of the Century: An International Symposium in Three Volumes (Oxford: Northgate Press, 2000), Vol. 1: pp. xv + 275; Vol. 2: pp. 300; Vol. 3: pp. 248’, Slavonica, 7 (2001), no. 2, 106-07 [review]
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2000
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‘O liubvi k tvortsu’ (‘Love of the creator’), in Mir
Filologii (Posviashchaetsia Lidii Dmitrievne Gromovoi-Opul’skoi) (The
world of philology (Festschrift for L.D. Gromova-Opul’skaia)), edited by M.I. Shcherbakova and M.A. Mozharova (Moscow, ‘Nasledie’, 2000),
pp. 162-64
‘A Conversation with Bakhtin’, Forum for Modern Language Studies, 36, no. 4 (October 2000), 438-49
‘Cheshire Cats in the Theatre: a Translator and the Fringe Experience’, New Theatre Quarterly, 16, part 4 (NTQ 64) (November 2000), 359-63
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1999
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‘William Gerhardi [sic], “The Impact of Chehov [sic]
on the English Theatre”’, edited and with notes by Patrick Miles, from
the Gerhardie Papers in the University Library, Cambridge, Slavonica, 5 (1999), no. 2, 24-31
Anton Chekhov, Early Stories, translated by Patrick Miles
and Harvey Pitcher (Oxford and New York, OUP, 1999), with a critical
bibliography by Patrick Miles, 205 pp. [First published by John Murray,
1982]
Anatoly Smeliansky, The Russian Theatre after Stalin, translated by Patrick Miles (Cambridge, CUP, 1999), 232 pp.
‘Doubts about the European Union’, Contemporary Review, 275 (July 1999), no. 1602, 12-14
‘Unanswered questions about “Europe”’, Contemporary Review, 275 (August 1999), no. 1603, 74-76
‘Jean Stafford Smith (ed.), In the Mind’s Eye. The Memoirs of Dame Elizabeth Hill (Sussex: The Book Guild, 1999), pp. vii + 520’, Slavonica, 6 (1999/2000), no. 1, 136-37 [review]
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1998
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‘Leavis and Bakhtin’, Cambridge Review, November 1998, 42-46, and Salisbury Review, Autumn 1998, 38-42
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1997-98
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Poems in Curlew, Gare du Nord, Hanging Loose, Iota, London Magazine, Oasis, Tandem
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1997
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‘Chekhov na angliiskoi stsene’ (‘Chekhov on the English Stage’), in Chekhov i mirovaia literatura (Chekhov and World Literature), edited by Z.S. Papernyi and E.A. Polotskaia, Literaturnoe nasledstvo, 100 (Moscow, ‘Nauka’, 1997), pp. 493-534
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1996
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‘Singing in the forest’ [Review of Thomas Gaiton Marullo, editor, Ivan Bunin: From the Other Shore, 1920-1933, A Portrait from Letters, Diaries and Fiction (Chicago, IL: Dee; distributed in the UK by Gazelle), 332 pp.], TLS, 22 March 1996, p. 27
‘The scents of a southern city’ [Review of Irina Ratushinskaya, The Odessans, translated by Geoffrey Smith (Sceptre), 410 pp.], TLS, 26 April 1996, p. 20
E.D. Goy, Excursions. Essays on Russian and Serbian Literature, edited and with a foreword by Patrick Miles (Nottingham, Astra Press, 1996), 110 pp.
‘You, you, you, you’ [Review of Jean Benedetti, editor and translator, Dear Writer…Dear Actress… The love letters of Olga Knipper and Anton Chekhov (Methuen), 292 pp.], TLS, 20 December 1996, p. 36
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1995
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‘Letters from George Calderon in Russia to his parents in England, 1895’, edited and with notes by Patrick Miles, Slavonica, 2 (1995/1996), no. 1, 7-25
‘Chekhov, Shakespeare, the Ensemble and the Company; Peter Hall interviewed by Patrick Miles’, New Theatre Quarterly, 11, no. 43 (August 1995), 203-10
‘C.J.G. Turner, Time and Temporal Structure in Chekhov.
Birmingham Slavonic Monographs No. 22. Department of Russian Language
and Literature, University of Birmingham, 1994. viii + 113 pages’, Irish Slavonic Studies, 16 (1995 (1996)), 111-12 [review]
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1994
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‘The Speckled Wood, Pararge aegeria L. (Lep.: Satyridae): an important character in Doctor Zhivago’, Entomologist’s Record, 106, nos 1-2 (25 January 1994), p. 12
Duck-Hunting, Last Summer in Chulimsk: Two Plays by Aleksandr Vampilov,
translated and with an introduction by Patrick Miles (Nottingham,
Bramcote Press, 1994), 158 pp. [For more English translations of
Russian literature see www.bramcotepress.co.uk]
‘Petrushevskaya’ and ‘Vampilov’, in International Dictionary of Theatre, 2, Playwrights, edited by Mark Hawkins-Dady (London, St James Press, 1994), pp. 740-42, 992-94
‘Aleksandr Vampilov: A Playwright whose Time is Now’, British East-West Journal (December 1994), 7-8
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1993
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‘Petrushevskaia’, in Contemporary World Writers, edited by Tracy Chevalier (London, St James Press, 1993), pp. 109-11
‘Chekhov and the Company Problem in the British Theatre’, in Chekhov on the British Stage, edited and translated by Patrick Miles (Cambridge, CUP, 1993), pp. 185-193
Chekhov on the British Stage, edited and translated by Patrick Miles (Cambridge, CUP, 1993), 258 pp.
‘European Theatre 1960-1990: Cross-cultural Perspectives. Edited by Ralph Yarrow. London: Routledge, 1992. Pp. ix + 255’, Journal of European Studies, 23 (1993), 326-27 [review]
‘Robert Leach, Vsevolod Meyerhold. CUP, 1993. xiv + 223 pp.’, Scottish Slavonic Review, Autumn 1993, 145-46 [review]
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1992
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‘The Orator’, story by Anton Chekhov translated by Patrick Miles and Harvey Pitcher, Intercity, February 1992, 47-48
‘Duck Hunting ’ and ‘Ivanov ’, in International Dictionary of Theatre, 1, Plays, edited by Mark Hawkins-Dady (London, St James Press, 1992), pp. 205-06, 375-76
‘National Theatre in Northern and Eastern Europe, 1746-1900. Edited by Laurence Senelick. Cambridge University Press, Cambridge, 1991. xxx + 480 pp.’, Irish Slavonic Studies, 13 (1992), 192-93 [review]
‘Extracts from Mikhail Bulgakov, The White Guard/The Days of the Turbins, First publication in English, translated by Patrick Miles’, Comparative Criticism, 14 (1992), 247-57 |
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