Naturally, my foray into short videos had to end with one about George. I suddenly thought that although the contribution of his own plays to Edwardian ‘New Drama’ is now largely forgotten, one could claim that Chekhov’s plays, which he was the key figure in introducing to Edwardian Britain, were the newest drama of all…
Given the importance, to me at least, of this statement about George, I decided to learn it by heart. I was fluent and word-perfect on the afternoon of the day it was to be recorded. Unfortunately, my post-flu fatigue struck again by evening and I couldn’t get through it without the script! I’ll give videos a break now, and polish my technique.
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SOME RESPONSES TO GEORGE CALDERON: EDWARDIAN GENIUS
‘It is a masterly synthesis of your own approach with scholarship and very judicious discussion of the evidence.’Emeritus Professor Catherine Andreyev, historian
‘This comprehensive, meticulously researched and highly readable biography, which the author describes as a “story” rather than an academic biography…’ Michael Pursglove, East-West Review
‘A monumental scholarly masterpiece that gives real insight into how the Edwardians viewed the world.’Arch Tait, Translator of Natalya Rzhevskaya’s Memoirs of a Wartime Interpreter
‘The book is written with great assurance and the reader always feels in safe hands. I liked the idea of it being a story and I read it the same way I would read a novel.’ Harvey Pitcher, writer
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Captain of the 11
Unpublished watercolour by George Calderon, Tahiti 1906
George and Kittie Calderon 1905
The entrance to Fort Brockhurst (picture from Britain’s Past)
George Calderon c.1901
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Sir Richard Vincent Sutton c. 1913
Christmas 1901 Cartoon by George Calderon
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Colonel Sir Walter Coote Hedley c. 1920
George Calderon, 1912
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Frontis piece by Frank Calderon
Basic form of the Calderon coat of arms
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Patrick Miles in his summer house, 11 December 2016
Monarch Butterfly Madeira
Jean Ryckaert, May 1916.
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Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Captain of the 11
Unpublished watercolour by George Calderon, Tahiti 1906
George and Kittie Calderon 1905
The entrance to Fort Brockhurst (picture from Britain’s Past)
George Calderon c.1901
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Sir Richard Vincent Sutton c. 1913
Christmas 1901 Cartoon by George Calderon
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Colonel Sir Walter Coote Hedley c. 1920
George Calderon, 1912
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Frontis piece by Frank Calderon
Basic form of the Calderon coat of arms
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Patrick Miles in his summer house, 11 December 2016
Monarch Butterfly Madeira
Jean Ryckaert, May 1916.
George Calderon’s New Drama
Naturally, my foray into short videos had to end with one about George. I suddenly thought that although the contribution of his own plays to Edwardian ‘New Drama’ is now largely forgotten, one could claim that Chekhov’s plays, which he was the key figure in introducing to Edwardian Britain, were the newest drama of all…
Given the importance, to me at least, of this statement about George, I decided to learn it by heart. I was fluent and word-perfect on the afternoon of the day it was to be recorded. Unfortunately, my post-flu fatigue struck again by evening and I couldn’t get through it without the script! I’ll give videos a break now, and polish my technique.
ADVERTISEMENT
SOME RESPONSES TO GEORGE CALDERON: EDWARDIAN GENIUS
‘This meticulous yet nimble book is bound to remain the definitive account of Calderon’s life’ Charlotte Jones, The Times Literary Supplement
‘The effort of detection, it must be said, was worth it. The biography is a delight to read.’ Emeritus Professor Laurence Brockliss, The London Magazine
‘It is a masterly synthesis of your own approach with scholarship and very judicious discussion of the evidence.’ Emeritus Professor Catherine Andreyev, historian
‘This comprehensive, meticulously researched and highly readable biography, which the author describes as a “story” rather than an academic biography…’ Michael Pursglove, East-West Review
‘A monumental scholarly masterpiece that gives real insight into how the Edwardians viewed the world.’Arch Tait, Translator of Natalya Rzhevskaya’s Memoirs of a Wartime Interpreter
‘The book is written with great assurance and the reader always feels in safe hands. I liked the idea of it being a story and I read it the same way I would read a novel.’ Harvey Pitcher, writer
‘Presents the Edwardian age, and Calderon in particular, as new and forward-looking.’ Emeritus Professor Michael Alexander, in Trinity College, Oxford, Report 2017-18
A review by DAMIAN GRANT appears in the comments to Calderonia’s 7 September post.
A review by JOHN DEWEY appears on Amazon UK.
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