It has been suggested to me that the lack of Comments on the blog, after four months, is an indication of the ‘maturity’ (i.e. 60-plus) of its visitors and followers. You prefer to email me than bruit your reactions to the whole world. Well, being ‘mature’ myself, I understand — and I have certainly received some interesting emails.
A professor wrote in August: ‘I fear I may become addicted. It’s a fascinating experiment in creative history.’ That was very gratifying, as my object always was to create the effect of George’s and others’ lives ‘happening now’, rather than bottled as ‘history’. An historian wrote at the same time: ‘I think it makes it very accessible when presented like this’. She meant, I think, the War, and that was much more the focus then, of course. I had hoped that the day-to-day approach to the War would be useful to students, educational websites and providers, but of course one cannot get away from the fact that the blog is principally about the life of this writer George Calderon of whom ‘nobody has heard’!
A Times writer emailed me: ‘There is the drama of the war, the drama of Calderon’s life, and the drama of your feeling your way into your biography.’ Yes, hopefully, but I am aware that I can’t always achieve a balance between those three. This is the first time I have written a blog and it is harder and much more time-consuming than I thought… It has also had this very weird dissolvent effect on my writing the biography itself, which was 92% done when the War broke out (see post on 12 September, ‘A biographer bifurcates’). I hope to return to that problem in a post next week.
So, sincere thanks to everyone who has contacted me about the blog. Your comments have been without exception interesting and useful. Apologies to Michael Caines and Juliet Nicolson, whose names were crassly misspelt for a few hours after the particular posts first appeared. Thank you, too, to those who have pointed out typos or infelicities, which I have attempted promptly to correct. This is very important, as the blog will eventually become a permanent site. And a special thank you to the grandson of Violet and Evey Pym for converting me to the 21st century practice of putting a single space after a full stop, rather than a double one.
Next entry: 29 November 1914
Related
Captain of the 11
Christmas 1901 Cartoon by George Calderon
Unpublished watercolour by George Calderon, Tahiti 1906
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Jean Ryckaert, May 1916.
George and Kittie Calderon 1905
The entrance to Fort Brockhurst (picture from Britain’s Past)
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Frontis piece by Frank Calderon
Monarch Butterfly Madeira
Colonel Sir Walter Coote Hedley c. 1920
George Calderon, 1912
Patrick Miles in his summer house, 11 December 2016
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
George Calderon c.1901
Basic form of the Calderon coat of arms
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Sir Richard Vincent Sutton c. 1913
Reactions
It has been suggested to me that the lack of Comments on the blog, after four months, is an indication of the ‘maturity’ (i.e. 60-plus) of its visitors and followers. You prefer to email me than bruit your reactions to the whole world. Well, being ‘mature’ myself, I understand — and I have certainly received some interesting emails.
A professor wrote in August: ‘I fear I may become addicted. It’s a fascinating experiment in creative history.’ That was very gratifying, as my object always was to create the effect of George’s and others’ lives ‘happening now’, rather than bottled as ‘history’. An historian wrote at the same time: ‘I think it makes it very accessible when presented like this’. She meant, I think, the War, and that was much more the focus then, of course. I had hoped that the day-to-day approach to the War would be useful to students, educational websites and providers, but of course one cannot get away from the fact that the blog is principally about the life of this writer George Calderon of whom ‘nobody has heard’!
A Times writer emailed me: ‘There is the drama of the war, the drama of Calderon’s life, and the drama of your feeling your way into your biography.’ Yes, hopefully, but I am aware that I can’t always achieve a balance between those three. This is the first time I have written a blog and it is harder and much more time-consuming than I thought… It has also had this very weird dissolvent effect on my writing the biography itself, which was 92% done when the War broke out (see post on 12 September, ‘A biographer bifurcates’). I hope to return to that problem in a post next week.
So, sincere thanks to everyone who has contacted me about the blog. Your comments have been without exception interesting and useful. Apologies to Michael Caines and Juliet Nicolson, whose names were crassly misspelt for a few hours after the particular posts first appeared. Thank you, too, to those who have pointed out typos or infelicities, which I have attempted promptly to correct. This is very important, as the blog will eventually become a permanent site. And a special thank you to the grandson of Violet and Evey Pym for converting me to the 21st century practice of putting a single space after a full stop, rather than a double one.
Next entry: 29 November 1914
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