Frontis piece by Frank Calderon
Colonel Sir Walter Coote Hedley c. 1920
George Calderon c.1901
Sir Richard Vincent Sutton c. 1913
George and Kittie Calderon 1905
Patrick Miles in his summer house, 11 December 2016
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Jean Ryckaert, May 1916.
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Basic form of the Calderon coat of arms
The entrance to Fort Brockhurst (picture from Britain’s Past)
Unpublished watercolour by George Calderon, Tahiti 1906
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Captain of the 11
Monarch Butterfly Madeira
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Christmas 1901 Cartoon by George Calderon
George Calderon, 1912
Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Women in Love
Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Battle of the Somme, Breadalby, Catherine Brown, Centre Party, comments, Constance Garnett, D.H. Lawrence, Dwala, elopement, English Review, Ernest Weekley, Fanny Stepniak, Far End, Fathers and Sons, Ford Hueffer, Ford Madox Ford, Frieda Lawrence, Frieda Weekley, Garsington, George Calderon, George Calderon: Edwardian Genius, Hampstead, Ivan Turgenev, John Worthen, Kittie Calderon, polymathery, revolution, The Edwardians, The Great War, Thomas Sturge Moore, translation, Trinity College Oxford, Well Walk, William Rothenstein, Women in Love, World War I
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Guest post by Laurence Brockliss: The Historian, Middle-Class Marriage, and ‘Women in Love’
I have always been puzzled by Tolstoy’s apodictic statement about happy and unhappy marriages at the beginning of Anna Karenina. How on earth did he know? Even today when the state and the media have penetrated deeply into our private … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Agnes Gladstone, Ancestry.com, Anna Karenina, Arnold Bennett, Bensons, Brighton, Clayhanger, Colin Firth, D.H. Lawrence, Edward Charles Wickham, Edward Talbot, Edward White Benson, F.R. Leavis, Frieda von Richthofen, George Eliot, Henryck Wieniawski, Isabella Wieniawska, Jane Austen, Janet Catherine North, Jennifer Ehle, John Addington Symonds, Lady Chatterley's Lover, Laurence Brockliss, Leo Tolstoy, Lev Tolstoi, Lucy Trotman, marriage, Middlemarch, novels, Oxford, Pride and Prejudice, prosopographical studies, Robert Cooper Lee Bevan, Samuel Fiennes, Simon Goldhill, social history, The English Novel, These Twain, Winchester, Women in Love
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Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
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Guest post by John Pym: ‘Women in Love’ and Glenda Jackson’s Oscar
In London in the 1970s and 80s I used to review movies for the British Film Institute’s Monthly Film Bulletin. That serious, no-frills journal, founded in 1934, aimed to cover every feature film released in UK cinemas. Some of the … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Alan Bates, Ballets Russes, Billy Williams, British Film Institute, D.H. Lawrence, Eleanor Bron, Emmanuelle II, film adaptations, films, Gerald Crich, Glenda Jackson, Hermione Roddice, Jennie Linden, John Pym, Ken Russell, Larry Kramer, Loerke, Oliver Reed, Oscars, Penelope 'Pulls It Off', Peter Brook, pornography, Richard Heffer, Rupert Birkin, soft porn, The Rite of Spring, There's No Sex Like Snow Sex, Ursula Brangwen, Vladek Sheybal, Women in Love
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‘Hurtler’ Brangwen, woman in love
Let me explain what lies behind the next three instalments of Calderonia, which are distinguished guest posts taking us up to 8 March and beyond. As part of our lockdown season of old films, Alison and I watched a DVD … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Alan Bates, Bildungsroman, biography, comments, D.H. Lawrence, Damian Grant, F.R. Leavis, George Calderon, Glenda Jackson, Gudrun Brangwen, Jennie Linden, John Pym, Ken Russell, Lady Chatterley's Lover, Laurence Brockliss, love, marriage, Penguin Books, Rupert Birkin, The Great War, The Rainbow, Ursula Brangwen, Women in Love, World War I
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Far End draws closer
On 26 January I blogged about the house Far End at Kingham in Oxfordshire, which I had heard about for the first time from Mrs Mary Lowe, whom we traced as the copyright holder for unpublished works of the American … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anne Douglas Sedgwick, Balbec, Basil de Sélincourt, biographies, biography, D.H. Lawrence, Dardanelles, F.R. Leavis, Far End, Gallipoli, Garsington, George Calderon, Giotto, Ian Lowe, Julia Chapin Alsop, Kingham, Kittie Calderon, Lady Ottoline Morrell, Laurence Binyon, Marcel Proust, Mary Lowe, New College Oxford, Oxfordshire, Petersfield, Piccadilly, Sir Edward Grey, Swan & Edgar, Tante, The Encounter, The Good Life, The Great War, The Little French Girl, Third Battle of Krithia, vegetables, Virago Classics, Walt Whitman, William Blake, Women in Love, World War 2, World War I
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‘Lady Chatterley’s Lover’: Fragments of a response
When I read the novel for the first time, I was bemused by the in-your-face tone of the narrator, who is even given to exclamatory comments: ‘But that is how men are!’ — ‘But Emma said No!’ — ‘Yes, she … Continue reading →