Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Captain of the 11
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Colonel Sir Walter Coote Hedley c. 1920
Frontis piece by Frank Calderon
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Sir Richard Vincent Sutton c. 1913
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Jean Ryckaert, May 1916.
Basic form of the Calderon coat of arms
Unpublished watercolour by George Calderon, Tahiti 1906
Christmas 1901 Cartoon by George Calderon
The entrance to Fort Brockhurst (picture from Britain’s Past)
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George and Kittie Calderon 1905
George Calderon, 1912
Patrick Miles in his summer house, 11 December 2016
Monarch Butterfly Madeira
George Calderon c.1901Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: William Shakespeare
Very Old Cambridge Tales: 1
A LETTER TO THE EDITOR OF GRANTA POEM: Horror O The Studio, Fowlmere. 4.11.67 … Continue reading
A writer-publisher’s Ukrainian diary: 4
23 April 2022 It is St George’s Day, hypothetically William Shakespeare’s birthday, and we are in Stratford-upon-Avon witnessing the civic celebrations, which are beautifully done, inclusive, happy, humorous, almost a Spring flower festival, and a really moving tribute to Shakespeare’s … Continue reading
Posted in Modern parallels, Personal commentary
Tagged Aleksei Gromyko, Aleksei Kozyrev, Alexander Gorchakov, atonement, catacomb Christians, Charles Talleyrand, Chester Wilmot, comments, David Aaronovitch, David Petraeus, General Dvornikov, General Gerasimov, General Mezintsev, Henry VI, Joachim von Ribbentrop, KGB, Khar'kiv, Mariupol, medical diagnoses, military strategy, Moldova, Moscow Patriarchate, Nadezhda Mandel'shtam, NATO, Nikolai Gogol, proxy war, repentance, Rett Syndrome, Russia, Saddam Hussein, salients, Sergei Lavrov, St George's Day, steroids, Stratford-upon-Avon, tank battles, Tariq Aziz, The Donbas, Transnistria, trench warfare, Ukraine, Vladimir Putin, Volodymyr Zelensky, Wagner Group, William Shakespeare, World War 2, World War I
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Guest post by Damian Grant: ‘Lady Chatterley’s Lover’ and ‘The Winter’s Tale’
This nineteenth-century engraving of Florizel and Perdita does indeed make them look — to use Lady Chatterley/Connie’s dismissive phrase about the Elizabethans — somewhat ‘upholstered’. In all the excitement — which has never quite subsided — about the sexual explicitness … Continue reading
Posted in Edwardian character, Edwardian marriage, Heroism and Adventure, Personal commentary
Tagged 'Snake', Algernon Swinburne, Byzantium, Charles Baudelaire, comments, Constance Reid, D.H. Lawrence, Florizel, Forest of Arden, George Eliot, High Park Wood, John James Audubon, John Keats, John Milton, Juno, Lady Chatterley, Lady Chatterley's Lover, Mary Russell Mitford, Michaelis, Mrs Bolton, Mrs Gaskell, Oliver Mellors, Perdita, Proserpina, Samuel Taylor Coleridge, sex, sexuality, Sir Clifford Chatterley, T.S. Eliot, The Elizabethans, The Great War, The Winter's Tale, W.B. Yeats, wild flowers, William Shakespeare, World War I, Wragby
2 Comments
Lady with little dog/Gamekeeper with spaniel
Our guest posts on Women in Love opened an admirable exchange of Comments about all sorts of aspects of Lawrence’s work. I think there was a feeling, however, that we were left with an elephant in the room: Lady … Continue reading
Posted in Modern parallels, Personal commentary
Tagged A Propos of 'Lady Chatterley's Lover', Anna Sergeevna, Anton Chekhov, Clifford Chatterley, comments, compassion, Connie, Constance Chatterley, D.H. Lawrence, Damian Grant, Dmitrii Gurov, dogs, ends, Flossie, Lady Chatterley, Lady Chatterley Trial, Lady Chatterley's Lover, love, Mark Schorer, narrative endings, new marriage, Oliver Mellors, Paul Cézanne, Penguin Books, Pomeranian dogs, roman adultère, sex, tenderness, The Lady with the Little Dog, The Winter's Tale, William Shakespeare
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Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
8 Comments
Sam&Sam publishers — a brief history
George Calderon: Edwardian Genius will be published under the imprint Sam&Sam. ‘What?’ you ask. ‘What on earth’s that?’ Quite. It was deliberately concocted to give nothing away, because it originated in Russia in the period of samizdat. Having been a dissident … Continue reading
Posted in Modern parallels, Personal commentary
Tagged Alexander Pushkin, Camizdat, carbons, comments, Duma, Georgii Fedotov, Joseph Brodsky, Joseph Stalin, KGB, Maia, Martis, mice, Nikolai Berdiaev, perestroika, publishing, Sam&Sam, samizdat, Samuel Goathead, sonnets, Sophie Koulomzin, typewriters, Vladimir Lenin, William Shakespeare
6 Comments
Some notes on orthodoxy
A very happy New Year to all Calderonia’s subscribers, followers, and casual viewers! (If you are one of the latter, please consider subscribing top right.) This is ‘the year’… Following an almost complete absence of response to my last reminders … Continue reading
Posted in Personal commentary
Tagged Animal Farm, biographies, Brimstone Press, Charles Dickens, Clays Ltd, comments, design of boats, George Calderon, George Orwell, Jane Austen, Jenny Uglow, John Dewey, John Polkinghorne, orthodoxy, publishers, publishing, Ruth Scurr, Sam&Sam, Victoria Beckham, William Shakespeare
5 Comments
And the asp jumped over the chimney sweeper!
That time of year is approaching again…the time of public readings of verse four of Laurence Binyon’s ‘For the Fallen’. I shall be listening carefully for who says ‘grow-not old’, who ‘grow not-old’, and who indeed ‘not grow old’ (see … Continue reading
Posted in Edwardian English, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Andrew Marvell, aspen, chimney sweeper moth, comments, cows, Cymbeline, dandelions, Dulce et decor est, Experiment with a Hand Lens, For the Fallen, Henry Vaughan, Humpty Dumpty, John Donne, Joseph Brodsky, Laurence Binyon, Leningrad, Looking Back, metrical stress, Michael Alexander, nursery tales, R.F. Langley, Stratford-upon-Avon, syntax, The Apparition, To His Coy Mistress, Wilfred Owen, William Shakespeare
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The limits of biography
I do not know why the popularity of autobiographies and biographies has mushroomed in 21st century Britain. I wish someone would tell us. Meeting and communicating with people makes the world go round, of course, so perhaps the fact that … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Artemis Cooper, autobiography, biographies, biography, Boris Johnson, Cazalets, Claire Harman, comments, Constance Sutton, Damian Collins, Elizabeth Jane Howard, Fatal Purity, Frederick the Great, George Calderon, Harvey Pitcher, John Aubrey: My Own Life, Kittie Calderon, Matthew Dennison, Maximilien de Robespierre, Peter Ackroyd, Philip Sassoon, Richard Chartres, Ruth Scurr, The Great War, Thomas Carlyle, Vita Sackville-West, William Shakespeare, Winston Churchill, World War I
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Watch this Space
13/4/16. The collective noun for emeritus professors is ‘a reticence’. It derives from the fact that although they still hold definite opinions, in retirement they are too shy to parade them before the world, e.g. in Comments that will appear … Continue reading
Posted in Edwardian English, Edwardian literature, Personal commentary
Tagged American Civil War, comments, Drew Gilpin Faust, emeritus professors, Emily Dickinson, Georg Trakl, George Calderon, Kittie Calderon, Laurence Binyon, Paul Boyer, Seamus Healey, The Great War, war poetry, Wilfred Owen, William Shakespeare, World War I
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Commemoration (concluded)
Since this blog started in July last year, I have taken part in many conversations, both viva voce and online, about followers’ responses to George Calderon’s war experience, to the War as it has been unfolding, and to what I … Continue reading
Posted in Modern parallels, Personal commentary
Tagged Aeschylus, arachnophobia, Battle of Waterloo, catharsis, Clare Hopkins, closure, commemoration, comments, Commonwealth War Graves Commission, Dardanelles, Diana Princess of Wales, empathy, Foxwold, Gallipoli, George Calderon, Jim Corbet, John Hussey, John Pym, Kittie Calderon, Laurence Binyon, Lesbia Corbet, Mikhail Bakhtin, Nadezhda Mandel'shtam, Santanu Das, Søren Kierkegaard, The Great War, The Lusitania, Third Battle of Krithia, tragedy, Wilfred Owen, William Shakespeare, World War I
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Ruth Scurr’s exhilarating experiment
In my post of 6 March I discussed an essay by Ruth Scurr about biography that had just appeared in the Guardian Review. Her essay stirred up a whole hive of issues that the modern biographer should be aware of and needs … Continue reading
NEW YEAR
Whether you are stalwart subscribers to Calderonia since 30 July 2014, or casual callers from across the globe to posts on, say, limericks, John Hamilton, paradoxes, the Third Battle of Krithia, dogs or Lady Chatterley’s Lover, I wish you a … Continue reading →