Patrick Miles in his summer house, 11 December 2016
Monarch Butterfly Madeira
Unpublished watercolour by George Calderon, Tahiti 1906
George Calderon, 1912
The entrance to Fort Brockhurst (picture from Britain’s Past)
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Book sent to George Calderon in Russia by his mother, Christmas 1895.
George and Kittie Calderon 1905
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Basic form of the Calderon coat of arms
George Calderon c.1901
Captain of the 11
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Jean Ryckaert, May 1916.
Christmas 1901 Cartoon by George Calderon
Colonel Sir Walter Coote Hedley c. 1920
Sir Richard Vincent Sutton c. 1913
Frontis piece by Frank CalderonRecent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Uncle Vanya
Rochelle Townsend’s ‘Uncle Vanya’
In my introduction to these four posts about the ‘mystery’ Misses and Misters who feature in my biography of George Calderon and the world of Edwardian Anglo-Russian cultural relations, I said that after Michael Pursglove’s magnificent post about the ‘mysterious’ … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Aldwych Theatre, Anton Chekhov, authorship, Chekhov on the British Stage, collaborators, comments, Constance Garnett, English premieres, George Calderon, Herbert Grimwood, Incorporated Stage Society, L.P. Hartley, Michael Pursglove, Rochelle Townsend, stage managers, translation, Uncle Vanya, Victoria & Albert Museum
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Guest post: Michael Pursglove on the ‘forgotten translators’
My interest in early translations from Russian, and especially in their translators, began when I was setting to work on my translation of Turgenev’s Virgin Soil in 2014. It became clear that this would be the first new translation of … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary, Uncategorized
Tagged Alexander Pushkin, Alfred Knox, Alice's Adventures in Wonderland, Anna Karenina, Anna Kern, Anton Chekhov, Beatrix Tollemache, Charles Townsend, East-West Review, Eugène Gothi, George Sand, Ivan Goncharov, Ivan Turgenev, James Heard, James Muckle, Jerome K. Jerome, Lev Tolstoi, Marguerite Bryant, Michael Pursglove, Michel Delines, Mikhail Ashkinazi, Nadine Jarintzoff, Oliver Goldsmith, Ramsay Macdonald, Rochelle Townsend, The Precipice, The Vicar of Wakefield, Three Men in a Boat, Uncle Vanya, Virgin Soil, Wilhelm Goldschmidt
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The ‘mystery’ Misses and Misters
The academics are off campus now until September/October, when Sam&Sam plan a new marketing storm in their direction, so we are concentrating on selling boxes of six copies to more bookshops. If you know any near you who might be … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Personal commentary
Tagged Amazon, Anton Chekhov, biographies, biography, comments, East-West Review, George Calderon, George Calderon: Edwardian Genius, John Polkinghorne, marketing, Michael Pursglove, Mrs Shapter, P.H. Calderon, Professor Rose, Rochelle Townsend, Sam&Sam, Uncle Vanya, What Can We Hope For?
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Guest post: Harvey Pitcher, ‘Calderon on Chekhov’
Some years have passed since I last took down my copy of Two Plays of Tchekhof: Translated, with an Introduction and Notes by George Calderon (1912). I remembered the book with affection, especially the introduction, but going back to old … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, appreciation, comments, communication, George Calderon, golf, Harvey Pitcher, literary criticism, meditation, soliloquy, The Cherry Orchard, The Seagull, Three Sisters, Tom Stoppard, translation, Two Plays of Tchekhof, Uncle Vanya
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More Chekhovian than Anton
For an extreme example of what George Calderon called Chekhov’s ‘disjunctive manner’, I recommend: George touched on aspects of the ‘disjunctive manner’ in the Introduction (1912) to his translations of The Seagull and The Cherry Orchard, but he had expressed it most … Continue reading
Posted in Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Christ in the Garden, comments, Florence Foster Jenkins, George Calderon, Grafton Street Gallery, Hugh Grant, Meryl Streep, Paul Gauguin, Post-Impressionists, Simon Helberg, Tahiti, The Cherry Orchard, The Seagull, Three Sisters, Uncle Vanya, Virginia Woolf
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‘Chekhov’s Gun’ (Concluded)
In this concluding video on the subject of Chekhov’s Gun, I give a thumbnail sketch of its application in his own plays from Ivanov (1887) to The Cherry Orchard (1904). Since the phrase is so popular (yes, really, I have … Continue reading →