George Calderon c.1901
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Captain of the 11
Unpublished watercolour by George Calderon, Tahiti 1906
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Monarch Butterfly Madeira
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Basic form of the Calderon coat of arms
The entrance to Fort Brockhurst (picture from Britain’s Past)
Colonel Sir Walter Coote Hedley c. 1920
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Christmas 1901 Cartoon by George Calderon
Jean Ryckaert, May 1916.
George and Kittie Calderon 1905
Frontis piece by Frank Calderon
Sir Richard Vincent Sutton c. 1913
Patrick Miles in his summer house, 11 December 2016
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George Calderon, 1912Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Madeira
‘He was away, far away…’
The S.S. Aguila, a cruise ship of the Yeoward Line, dropped anchor off Funchal, the capital of Madeira, on 31 March 1913, probably around lunchtime. There were twenty-nine passengers aboard, including George Calderon. Within a couple of hours he was sitting … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged acacias, Acton Reynald, African Tulip, Anton Chekhov, Archie Ripley, biographies, biography, Botanical Gardens Funchal, bougainvillea, cable cars, Canary Islands, Charles Lambe, Clara Butt, comments, Dardanelles, Funchal, Gallipoli, George Calderon, Harold Dowdall, Jim Corbet, Kittie Calderon, Las Palmas, Lesbia Corbet, Levada do Norte, Lisbon, Liverpool, Madeira, Manchester, Mary Downdall, Monarch butterfly, Monte, Monte Palace Hotel, Nina Astley, Nina Corbet, Portugal, R.M.S. 'Orsova', Reginald Astley, Revolt, S.S. Aguila, Spain, Tahiti, The Canary Islands, The Fountain, The Great War, Trinity College Oxford, Tropical Gardens Funchal, Well Walk, wicker toboggans, World War I, Yeoward Line
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George L. Calderon, cartoonist
I am extremely grateful to James Miles for his vibrant guest post on Schulz and Peanuts. It certainly improved Calderonia’s viewing figures! I am always loth to ‘take down’ guest posts, because they have something unique and often definitive about them. … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Ballets Russes, biographies, biography, Charles M. Schulz, comments, Funchal, George Calderon, Kittie Calderon, Madeira, Max Beerbohm, Michel Fokine, Peanuts, Percy Lubbock, The Red Cloth
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Biography’s unheard dimension
Biography is words. Personally, I hear words when I am writing rather than being focussed on their soundless written form — which is probably why I am less than 100% consistent in my presentation of the hieroglyphs on paper. I … Continue reading →