Captain of the 11
Colonel Sir Walter Coote Hedley c. 1920
George Calderon, 1912
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
George and Kittie Calderon 1905
Unpublished watercolour by George Calderon, Tahiti 1906
Jean Ryckaert, May 1916.
Christmas 1901 Cartoon by George Calderon
George Calderon c.1901
Sir Richard Vincent Sutton c. 1913
Monarch Butterfly Madeira
Frontis piece by Frank Calderon
Basic form of the Calderon coat of arms
Book sent to George Calderon in Russia by his mother, Christmas 1895.
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
The entrance to Fort Brockhurst (picture from Britain’s Past)
Patrick Miles in his summer house, 11 December 2016
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Laurence Senelick
Some ‘announcements’
I am staggered that my Introduction has passed its latest grilling, been tweaked yet again, and finalised as version 8. Deep down, though, I know I can’t write this sort of thing. To quote another favourite tag of Chekhovians, from Three … Continue reading
Posted in Edwardian character, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, biographies, biography, Calderonia, Clare Hopkins, comments, George Calderon, Grant Richards, guest posts, Harvey Pitcher, Laurence Senelick, Three Sisters, Times Literary Supplement, Trinity College Oxford, William Lyon Phelps
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Mews, hues, and wonkers
So (see ‘Two anniversaries’, 29 January), save perhaps for a few lost manuscript versions of Chekhov’s one-act plays made throughout the British Empire for amateur performance, Constance Garnett was the first person to translate a Chekhov play into English (The … Continue reading
Posted in Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, comments, Constance Garentt, Elizaveta Fen, George Calderon, Glasgow Repertory Theatre, John Galsworthy, John Russell Brown, Larus ridibundus, Laurence Senelick, Lydia Yavorskaya, Ronald Hingley, Royal National Theatre, The Cherry Orchard, The Seagull, The Stage Society
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FIRST BIOGRAPHY OF THE MAN WHO BROUGHT CHEKHOV TO BRITAIN!
This book, the first full-length biography of the significant Edwardian literary and political figure George Calderon, who lived in Russia 1895-97, was an expert on Russian folklore and literature, premiered Chekhov in Britain, wrote the best seller Tahiti, and was killed … Continue reading →