Book sent to George Calderon in Russia by his mother, Christmas 1895.
Unpublished watercolour by George Calderon, Tahiti 1906
George Calderon, 1912
George Calderon c.1901
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Frontis piece by Frank Calderon
Jean Ryckaert, May 1916.
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Patrick Miles in his summer house, 11 December 2016
Captain of the 11
Basic form of the Calderon coat of arms
Colonel Sir Walter Coote Hedley c. 1920
Christmas 1901 Cartoon by George Calderon
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
The entrance to Fort Brockhurst (picture from Britain’s Past)
George and Kittie Calderon 1905
Monarch Butterfly Madeira
Sir Richard Vincent Sutton c. 1913Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Keith Dewhurst
Keith Dewhurst: a new Spring of writing
Keith Dewhurst (whose Wikipedia entry does not log half his achievements) was born in 1931. I would say he is the greatest survivor of the British post-war theatrical renaissance that is often compared to the Elizabethan-Jacobean phenomenon. As well as … Continue reading
Posted in Modern parallels, Personal commentary
Tagged art dealing, Autumnia: Three Novellas, Clement Attlee, COVID-19, Elizabeth I, Elizabeth II, English Civil War, Iraq, Isle of Wight, James I, Keith Dewhurst, King's Men, Lark Rise, lockdowns, London, Manchester United, National Theatre, novella, plotlines, Primavera, PTSD, Puritans, Royal Court, The History of Polly Bowler, theatrical renaissance, Venice Three, wokery, World War 2, Z-Cars, zealotry
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Writing’s weird workings…
My fortuitous review of Keith Dewhurst’s excellent novellas, combined with John Pym’s spontaneous submission of his post about Henry James’s story ‘The Death of the Lion’, has suddenly concentrated my mind on my current project and alerted me to things … Continue reading →