Colonel Sir Walter Coote Hedley c. 1920
Unpublished watercolour by George Calderon, Tahiti 1906
George Calderon, 1912
Frontis piece by Frank Calderon
Christmas 1901 Cartoon by George Calderon
Book sent to George Calderon in Russia by his mother, Christmas 1895.
George Calderon c.1901
Captain of the 11
Jean Ryckaert, May 1916.
George and Kittie Calderon 1905
Sir Richard Vincent Sutton c. 1913
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Patrick Miles in his summer house, 11 December 2016
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Basic form of the Calderon coat of arms
Monarch Butterfly Madeira
The entrance to Fort Brockhurst (picture from Britain’s Past)Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: John Galsworthy
The Editor-in-Chief
It is a truth universally forgotten until too late, that as soon as we call a kettle black we start turning into a pot. I know too much about Constance Garnett, her husband Edward and his father Richard. There … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Anton Chekhov, Charles Dickens, Constance Garnett, cricket, D.H. Lawrence, Duckworth, editors, Edward Garnett, Edward Thomas, H.E. Bates, Helen Smith, John Galsworthy, Jonathan Cape, Joseph Conrad, kettles, pots, publishers readers, Richard Garnett, T. Fisher Unwin, T.E. Lawrence, William Heinemann
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Guest posts and…George a Labour man?
I don’t think it’s an exaggeration to say that biography is going through a particularly fertile and innovative time. I’m always interested, then, in biographies about new subjects and biographies that tell their stories in new ways. Next week, blogmaster … Continue reading
Posted in Edwardian character, Edwardian literature, Modern parallels, Personal commentary
Tagged Alexander Masters, Alison Miles, Arthur Bourchier, biographies, biography, Brideshead Revisited, Charles Schulz, comments, Elizabeth Jane Howard, Evelyn Waugh, Forsyte Saga, George Bernard Shaw, George Calderon, Hubert Harben, Independent Labour Party, James Miles, John Galsworthy, Kittie Calderon, Laurence Brockliss, Mary Jerrold, Philip Harben, Strand Theatre, The Fountain
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Mews, hues, and wonkers
So (see ‘Two anniversaries’, 29 January), save perhaps for a few lost manuscript versions of Chekhov’s one-act plays made throughout the British Empire for amateur performance, Constance Garnett was the first person to translate a Chekhov play into English (The … Continue reading
Posted in Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, comments, Constance Garentt, Elizaveta Fen, George Calderon, Glasgow Repertory Theatre, John Galsworthy, John Russell Brown, Larus ridibundus, Laurence Senelick, Lydia Yavorskaya, Ronald Hingley, Royal National Theatre, The Cherry Orchard, The Seagull, The Stage Society
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George Calderon’s New Drama
Naturally, my foray into short videos had to end with one about George. I suddenly thought that although the contribution of his own plays to Edwardian ‘New Drama’ is now largely forgotten, one could claim that Chekhov’s plays, which he … Continue reading →