Patrick Miles in his summer house, 11 December 2016
George Calderon c.1901
Book sent to George Calderon in Russia by his mother, Christmas 1895.
The entrance to Fort Brockhurst (picture from Britain’s Past)
Monarch Butterfly Madeira
Unpublished watercolour by George Calderon, Tahiti 1906
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Basic form of the Calderon coat of arms
Frontis piece by Frank Calderon
Jean Ryckaert, May 1916.
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Colonel Sir Walter Coote Hedley c. 1920
Sir Richard Vincent Sutton c. 1913
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Christmas 1901 Cartoon by George Calderon
Captain of the 11
George and Kittie Calderon 1905
George Calderon, 1912
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Jean Sibelius
Biography’s unheard dimension
Biography is words. Personally, I hear words when I am writing rather than being focussed on their soundless written form — which is probably why I am less than 100% consistent in my presentation of the hieroglyphs on paper. I … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Airs Russes, Albert Cazabon, Aleksandr Glazunov, Alfred Wareing, Anatolii Liadov, Andante cantabile, Anton Chekhov, Ballets Russes, Basil de Sélincourt, biographies, biography, Chanson Trise, comments, Daniel Auber, Dardanelles, Eastcote, Edvard Grieg, eidetics, Gaetano Donizetti, George Calderon, Glasgow Repertory Theatre, Heathland Lodge, Henryk Wieniawski, Jean Sibelius, Kittie Calderon, Konstantin Stanislavsky, L'elisir d'amore, Le Philtre, Les Vendredis, Lev Tolstoi, Madeira, moods, Moscow Art Theatre, Nikolai Sokolov, Peter Tchaikovsky, smell, sound, The Seagull, Trinity College Oxford, Valse Triste, Well Walk
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Guest post: John Dewey reviews the life of Rosa Newmarch
Rosa Newmarch (1857-1940) was an extraordinary woman of many talents – ‘une femme inoubliable’ as Sibelius once called her, a phrase adopted by Lewis Stevens as the title of this fascinating biography published by Matador in 2011. She achieved considerable … Continue reading →