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Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Featured Comments
- James Muckle on George Calderon: a tribute:
By golly, I do enjoy contentious essays like this.…
- John Pym on A terrific find:
Patrick Miles alludes to Percy Lubbock’s 'Earlham' (Jonathan Cape,…
- Katy George on Selected Publications of George Calderon:
Hi, I recently purchased some items from a charity…
- Clare Hopkins on Complex, yes:
Oh Patrick! I can see that being George's biographer/blogger…
- James Muckle on George Calderon: a tribute:
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Tag Archives: Grant Richards
Empires end like this…
There are two reasons that obtaining Permissions has taken so long, in my case at least (see 17 April and 20 April). First, although I rapidly earmarked the sixteen ‘major’ sources of quoted unpublished material in my biography, e.g. William Rothenstein, … Continue reading
Posted in Modern parallels, Personal commentary
Tagged Annette Gough, Archie Ripley, biographies, biography, Charles Villiers Stanford, comments, copyright, Copyright Designs and Patents Act 1988, Dr Albert Tebb, Dullness, Edwin Lankaster, EU, EU Directive on Term of Copyright, Franz Kafka, George Calderon, Grant Richards, Harold Dowdall, King Alfred, Kittie Calderon, Laurence Binyon, Lord Denning, Mary Cholmondeley, Michael Welch, Nikolai Berdiaev, Nikolai Gogol, Rupert Brooke, superstates, totalitarianism, USSR, William English Harrison, William Rothenstein
2 Comments
Some ‘announcements’
I am staggered that my Introduction has passed its latest grilling, been tweaked yet again, and finalised as version 8. Deep down, though, I know I can’t write this sort of thing. To quote another favourite tag of Chekhovians, from Three … Continue reading
Posted in Edwardian character, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, biographies, biography, Calderonia, Clare Hopkins, comments, George Calderon, Grant Richards, guest posts, Harvey Pitcher, Laurence Senelick, Three Sisters, Times Literary Supplement, Trinity College Oxford, William Lyon Phelps
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Future biographers of George Calderon…
Even at this late stage, ‘things keep coming up’. It took me, as predicted, two pretty full days to input to the text of my biography (167,000 words) the 1000+ corrections and revisions that emerged from my two complete readings … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Anton Chekhov, biographies, biography, British Library, Christianity, comments, Dardanelles, EPMOS, Gallipoli, George Calderon, Grant Richards, Humanism, Kittie Calderon, Kropotkin, Laurence Binyon, Lydia Yavorskaya, Paul Boyer, Percy Lubbock, Petr Kropotkin, Spinoza, Tahiti, Taoism, The Brave Little Tailor, The Great War, theism, Third Battle of Krithia, William Caine, World War I
2 Comments
Watch this Space
25/8/15. If you haven’t seen the latest cracker of a Comment from Clare Hopkins, I recommend that you do (top right)…and contribute to the discussion! A special part of my in-depth research of Kittie’s life 1915-22, for the next chapter, has … Continue reading
Tahiti: The book’s reception (1921)
Katy George’s discovery of Kittie’s letter to Gladys Raikes of 31 March 1923 (see Comments and my post this coming Monday), in which Kittie talks about Percy Lubbock’s ‘Life’ of George, has reminded me that Percy also played a vital … Continue reading
The return to Tahiti
Calderon arrived in London from Tahiti on 30 October 1906 and started writing his book about the island in November 1907. However, he soon gave it up to concentrate on his plays The Fountain and Cromwell: Mall o’Monks. Meanwhile, as Kittie put … Continue reading
Two anniversaries
Today is Anton Chekhov’s birthday. It is also the anniversary of the publication of George Calderon’s translations of The Seagull and The Cherry Orchard on 29 January 1912. Was this a coincidence? Probably not. The publisher, Grant Richards, was making a risky investment … Continue reading
(Commentary)
Staggered by flu, I did not have the energy to add any comments to my post of George’s New Year letter to William Rothenstein; but I will offer a few points now. William Rothenstein is an extremely interesting figure. He … Continue reading
Posted in Edwardian marriage, Personal commentary
Tagged Anton Chekhov, Augustus John, comments, George Calderon, Grant Richards, Harold Nicolson, Il'ia Tolstoi, Kittie Calderon, military interpreters, Percy Lubbock, Tahiti, The Great War, Vita Sackville-West, William Rothenstein, World War I, Ypres
2 Comments
5 November 1914
Today a long advertisement appeared in the Times Literary Supplement for Chapman & Hall’s ‘Latest List’. Top of the column was ‘The Final Word on Tolstoy, the Man: REMINISCENCES OF TOLSTOY. By His Son, Count Ilya Tolstoy’. The book had been … Continue reading
Does computer typesetting produce a ‘chaotic system’?
Like me, I expect you have wondered why a modern commercially published book that is to all appearances superbly produced can neverthless have typographical garbage and weird other phenomena in it, or why odd entries in its Index are consistently … Continue reading →