Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
The entrance to Fort Brockhurst (picture from Britain’s Past)
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Colonel Sir Walter Coote Hedley c. 1920
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Captain of the 11
Basic form of the Calderon coat of arms
Frontis piece by Frank Calderon
Monarch Butterfly Madeira
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Jean Ryckaert, May 1916.
George Calderon c.1901
Unpublished watercolour by George Calderon, Tahiti 1906
Sir Richard Vincent Sutton c. 1913
George Calderon, 1912
Patrick Miles in his summer house, 11 December 2016
Christmas 1901 Cartoon by George Calderon
George and Kittie Calderon 1905Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: E.M. Forster
Guest post by John Pym: Games Ancient and Modern
An eight-minute video, La Roue, No. 29, in the series ‘Children’s Games’ by the artist Francis Alÿs: A barefoot boy in a green and yellow football shirt and red shorts – the colours of the Congo national football team – … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged 'Children's Games', A Room with a View, bicycles, Brasted, Brigadier-General Sir John Gough V.C., bumble puppy, card games, Carol Taylor, croquet, E.M. Forster, Etoile copper mine, Evey Pym, Foxwold, Francis Alÿs, Frank Calderon, games, George Calderon, golf, gun cabinet, guns, horses, Hoyle's Rules, Jack Pym, James Ivory, John Pym, Kittie Calderon, La Roue, Lubumbashi, Mahjong, Mampala, Merchant Ivory Productions, Mia Fothergill, Minnie Beebe, play, riding, Roland Pym, Roya Lubbock, Ruth Jhabvala, shooting, Simon Callow, Sir Edmund Backhouse, The Congo, The Great War, The Sacred Lake, tricycle, Up Jenkins, Venice Biennale, Violet Pym, Windy Corner, World War I
1 Comment
Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
8 Comments
Weighty Calderonian matters
The above is described in an auction catalogue of 2001 as ‘A Victorian set of jockey scales by Youngs of Bear Street, London WC on oak stand with spiral-turned supports. Width 3ft’. The auction in question was of ‘The Residual Contents … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged A Room with a View, Anstey Guthrie, biographies, biography, body weight, Boulogne, Catherine Lubbock, Charles Evelyn Pym, Christopher Tebb, comments, Daniel Day Lewis, Dr Albert Tebb, E.M. Forster, Emmetts, Foxwold, Frederic Lubbock, George Calderon, height, Horace Pym, John Pym, Kittie Calderon, R. Ruthven Pym, Violet Pym, visitors books, weighing machine, weighing machines, Windy Corner
3 Comments
Henry James: Edwardian writer par excellence?
No series of posts about the ‘Edwardian Era’ would be complete without a reference to Henry James, often regarded as its greatest novelist. I have always admired his short stories. I have read ‘Daisy Miller’ every few years since 1974 … Continue reading →