A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Unpublished watercolour by George Calderon, Tahiti 1906
Jean Ryckaert, May 1916.
Patrick Miles in his summer house, 11 December 2016
The entrance to Fort Brockhurst (picture from Britain’s Past)
Sir Richard Vincent Sutton c. 1913
Captain of the 11
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George and Kittie Calderon 1905
Colonel Sir Walter Coote Hedley c. 1920
George Calderon, 1912
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Basic form of the Calderon coat of arms
Monarch Butterfly Madeira
George Calderon c.1901
Frontis piece by Frank Calderon
Christmas 1901 Cartoon by George Calderon
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Damian Grant
Guest post by Damian Grant: ‘Radio Scotland’
We live in France. In Lille, where the language is French. About a year ago — not knowing anything about the animal — I bought a HomePod online. I had thought it was just a superior (and very stylish) kind … Continue reading
Posted in Personal commentary
Tagged BBC Radio 3, BBC Radio Scotland, Brexit, chaos theory, classical music, cleaning ladies, comments, Damian Grant, Felix Mendelssohn, Fingal's Cave, France, grandchildren, HomePod, IT, Lille, Madeleine Grant, nursery rhymes, Petroc Trelawney, Scottish Independence, Siri, technology, waste paper baskets
2 Comments
Was there an ‘Edwardian Age’, and was it ‘great’?
When I began to read George and Kittie Calderon’s archive for my biography of them both, I little thought I would be drawn deeper and deeper into the question of ‘Edwardianism’. Yet I instantly felt as I read George’s letters … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Adrian Gregory, Alison Miles, Bertrand Russell, Carolean Age, Charles III, chauvinism, comments, culturonomics, D.H. Lawrence, Damian Grant, Dardanelles, Diana Princess of Wales, Edward VII, Edwardianism, Elizabeth I, Elizabeth II, Ephraim Parker Oakes, Gallipoli, George Calderon, George Calderon: Edwardian Genius, George VI, Georgian Age, H.G. Wells, Henry James, John Pym, Kittie Calderon, Laurence Brockliss, Maria Page, Mesopotamia, New Elizabethan Age, Oliver Moody, Peter Brent, PTSD, Queen Victoria, Robert Baden-Powell, The Great War, Tony Blair, Trinity College Oxford, William Page, World War I, Ypres
2 Comments
‘Lady Chatterley’s Lover’: Fragments of a response
When I read the novel for the first time, I was bemused by the in-your-face tone of the narrator, who is even given to exclamatory comments: ‘But that is how men are!’ — ‘But Emma said No!’ — ‘Yes, she … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Clifford Chatterley, comments, Constance Chatterley, D.H. Lawrence, Damian Grant, display, Doris Lessing, God, kittiwakes, Lady Chatterley, Lady Chatterley's Lover, letters, marriage, narrators, Oliver Mellors, orgasm, PTSD, sex, Sons of God, The Great War, The Rainbow, William Gerhardie, Women in Love, World War 2, World War I
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Lady with little dog/Gamekeeper with spaniel
Our guest posts on Women in Love opened an admirable exchange of Comments about all sorts of aspects of Lawrence’s work. I think there was a feeling, however, that we were left with an elephant in the room: Lady … Continue reading
Posted in Modern parallels, Personal commentary
Tagged A Propos of 'Lady Chatterley's Lover', Anna Sergeevna, Anton Chekhov, Clifford Chatterley, comments, compassion, Connie, Constance Chatterley, D.H. Lawrence, Damian Grant, Dmitrii Gurov, dogs, ends, Flossie, Lady Chatterley, Lady Chatterley Trial, Lady Chatterley's Lover, love, Mark Schorer, narrative endings, new marriage, Oliver Mellors, Paul Cézanne, Penguin Books, Pomeranian dogs, roman adultère, sex, tenderness, The Lady with the Little Dog, The Winter's Tale, William Shakespeare
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Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
8 Comments
‘Hurtler’ Brangwen, woman in love
Let me explain what lies behind the next three instalments of Calderonia, which are distinguished guest posts taking us up to 8 March and beyond. As part of our lockdown season of old films, Alison and I watched a DVD … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Alan Bates, Bildungsroman, biography, comments, D.H. Lawrence, Damian Grant, F.R. Leavis, George Calderon, Glenda Jackson, Gudrun Brangwen, Jennie Linden, John Pym, Ken Russell, Lady Chatterley's Lover, Laurence Brockliss, love, marriage, Penguin Books, Rupert Birkin, The Great War, The Rainbow, Ursula Brangwen, Women in Love, World War I
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I accept the white feather
I am hoping to attend the ceremony at Ors on 4 November this year to commemorate the death of Wilfred Owen a hundred years ago (see Damian Grant’s post of 4 November 2016), and thought we might go on from … Continue reading
Posted in Edwardian character, Heroism and Adventure, Modern parallels, Personal commentary
Tagged A Group Photograph, Alexis de Gunzberg, Andrew Tatham, Armistice, Auschwitz, Blood Swept Lands and Seas of Red, Clare Hopkins, Colonel Gordon Wilson, commemoration, comments, Damian Grant, George Calderon, Helles, Journey's End, Last Post, Menin Gate, Ors, R.C. Sheriff, Royal Horse Guards, Sanctuary Wood, The Blues, The Great War, Thiepval, Thiepval Memorial, Verdun, white feather, Wilfred Owen, World War I, Ypres, Zillebeke
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‘The Long Shadow’, War Poetry, and Commemoration
Faithful followers of this blog will recall my account on 16 December 2015 of Professor David Reynolds’s public lecture ‘Making Peace with the Great War: Centenary Reflections’. I have now read the book behind the lecture (see above) and … Continue reading
Posted in Heroism and Adventure, Modern parallels, Personal commentary
Tagged Adrian Gregory, atrocities, Belgium, Brexit, British Expeditionary Force, commemoration, comments, concentration camps, Damian Grant, David Reynolds, EU, Forester's House, General French, General Kitchener, Isaac Rosenberg, La Maison Forestière, Pals battalions, propaganda, Siegfried Sassoon, The Great War, The Holocaust, The Long Shadow, Thiepval, Treaty of Versailles, War Poets, Wilfred Owen, Wilfred Owen Association (France), World War I, Ypres
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Guest post: Damian Grant, ‘Wilfred Owen commemorated in France’
WILFRED OWEN AT ORS We have our own poet, Wilfred Owen, here in the village of Ors in northern France. The village lives along the slow canal tucked under Bois l’Evêque; the railway (steel scorning water) goes for … Continue reading
Posted in Edwardian character, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Artconnexion, Bois l'Evêque, Brexit, Damian Grant, Forester's House, Frédéric Mitterand, Jacky Duminy, Kenneth Branagh, La Maison Forestière, Manchesters, Ors, Peter Owen, Siegfried Sassoon, Simon Patterson, Stephen Macdonald, Susan Owen, Wilfred Owen, Wilfred Owen Association (France), Xavier Hanotte
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Biography brainstorm
For the next ten days, I shall be blogging only about biography. On 21 October Harvey Pitcher, the doyen of Chekhov studies in this country, will present a guest post about George Calderon’s famous Introduction to his pioneering translations of The … Continue reading
From the diary of a writer-publisher: 24
29 July 2023 As followers may recall, I always believed that the Russian Army was less than enthusiastic about Putin’s war — which is one reason he and Shoigu had to use private armies — and that eventually military opposition … Continue reading →