K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Jean Ryckaert, May 1916.
Colonel Sir Walter Coote Hedley c. 1920
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Basic form of the Calderon coat of arms
Frontis piece by Frank Calderon
The entrance to Fort Brockhurst (picture from Britain’s Past)
Sir Richard Vincent Sutton c. 1913
George Calderon, 1912
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Patrick Miles in his summer house, 11 December 2016
Christmas 1901 Cartoon by George Calderon
Monarch Butterfly Madeira
George and Kittie Calderon 1905
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
George Calderon c.1901
Unpublished watercolour by George Calderon, Tahiti 1906
Captain of the 11Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: D.H. Lawrence
‘Immaturity’ and ‘youth’ in poetry
I was amused (for reasons about to emerge) that the first hit I had for my last post, ‘Quetzalcoatl’, came from Mexico…but I was astonished that no-one wrote in to ask why on earth the poem was called ‘Quetzalcoatl’ and … Continue reading
Posted in Heroism and Adventure, Modern parallels, Personal commentary
Tagged Alexander Pushkin, Aztecs, Communism, D.H. Lawrence, G.-J. Geitman, genocide, human sacrifice, immaturity, Imperial Lyceum, Joseph Stalin, Lyceum Poems, Mexico, Moscow, poetry, quetzal, Quetzalcoatl, rain, rainbows, Russia, Spanish Conquest, The Plumed Serpent, USSR, Wassily Kandinsky, youth
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Poem after a summer rain shower in Moscow, 1970
© Patrick Miles, 1970 Background: fragment of Kandinsky’s ‘Painting with Green Centre’, 1913 ADVERTISEMENT SOME RESPONSES TO GEORGE CALDERON: EDWARDIAN GENIUS ‘This meticulous yet nimble book is bound to remain the definitive account of Calderon’s life’ Charlotte Jones, The Times Literary … Continue reading
Was there an ‘Edwardian Age’, and was it ‘great’?
When I began to read George and Kittie Calderon’s archive for my biography of them both, I little thought I would be drawn deeper and deeper into the question of ‘Edwardianism’. Yet I instantly felt as I read George’s letters … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Adrian Gregory, Alison Miles, Bertrand Russell, Carolean Age, Charles III, chauvinism, comments, culturonomics, D.H. Lawrence, Damian Grant, Dardanelles, Diana Princess of Wales, Edward VII, Edwardianism, Elizabeth I, Elizabeth II, Ephraim Parker Oakes, Gallipoli, George Calderon, George Calderon: Edwardian Genius, George VI, Georgian Age, H.G. Wells, Henry James, John Pym, Kittie Calderon, Laurence Brockliss, Maria Page, Mesopotamia, New Elizabethan Age, Oliver Moody, Peter Brent, PTSD, Queen Victoria, Robert Baden-Powell, The Great War, Tony Blair, Trinity College Oxford, William Page, World War I, Ypres
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‘Lady Chatterley’s Lover’: Fragments of a response
When I read the novel for the first time, I was bemused by the in-your-face tone of the narrator, who is even given to exclamatory comments: ‘But that is how men are!’ — ‘But Emma said No!’ — ‘Yes, she … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Clifford Chatterley, comments, Constance Chatterley, D.H. Lawrence, Damian Grant, display, Doris Lessing, God, kittiwakes, Lady Chatterley, Lady Chatterley's Lover, letters, marriage, narrators, Oliver Mellors, orgasm, PTSD, sex, Sons of God, The Great War, The Rainbow, William Gerhardie, Women in Love, World War 2, World War I
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Guest post by Damian Grant: ‘Lady Chatterley’s Lover’ and ‘The Winter’s Tale’
This nineteenth-century engraving of Florizel and Perdita does indeed make them look — to use Lady Chatterley/Connie’s dismissive phrase about the Elizabethans — somewhat ‘upholstered’. In all the excitement — which has never quite subsided — about the sexual explicitness … Continue reading
Posted in Edwardian character, Edwardian marriage, Heroism and Adventure, Personal commentary
Tagged 'Snake', Algernon Swinburne, Byzantium, Charles Baudelaire, comments, Constance Reid, D.H. Lawrence, Florizel, Forest of Arden, George Eliot, High Park Wood, John James Audubon, John Keats, John Milton, Juno, Lady Chatterley, Lady Chatterley's Lover, Mary Russell Mitford, Michaelis, Mrs Bolton, Mrs Gaskell, Oliver Mellors, Perdita, Proserpina, Samuel Taylor Coleridge, sex, sexuality, Sir Clifford Chatterley, T.S. Eliot, The Elizabethans, The Great War, The Winter's Tale, W.B. Yeats, wild flowers, William Shakespeare, World War I, Wragby
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Lady with little dog/Gamekeeper with spaniel
Our guest posts on Women in Love opened an admirable exchange of Comments about all sorts of aspects of Lawrence’s work. I think there was a feeling, however, that we were left with an elephant in the room: Lady … Continue reading
Posted in Modern parallels, Personal commentary
Tagged A Propos of 'Lady Chatterley's Lover', Anna Sergeevna, Anton Chekhov, Clifford Chatterley, comments, compassion, Connie, Constance Chatterley, D.H. Lawrence, Damian Grant, Dmitrii Gurov, dogs, ends, Flossie, Lady Chatterley, Lady Chatterley Trial, Lady Chatterley's Lover, love, Mark Schorer, narrative endings, new marriage, Oliver Mellors, Paul Cézanne, Penguin Books, Pomeranian dogs, roman adultère, sex, tenderness, The Lady with the Little Dog, The Winter's Tale, William Shakespeare
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Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Battle of the Somme, Breadalby, Catherine Brown, Centre Party, comments, Constance Garnett, D.H. Lawrence, Dwala, elopement, English Review, Ernest Weekley, Fanny Stepniak, Far End, Fathers and Sons, Ford Hueffer, Ford Madox Ford, Frieda Lawrence, Frieda Weekley, Garsington, George Calderon, George Calderon: Edwardian Genius, Hampstead, Ivan Turgenev, John Worthen, Kittie Calderon, polymathery, revolution, The Edwardians, The Great War, Thomas Sturge Moore, translation, Trinity College Oxford, Well Walk, William Rothenstein, Women in Love, World War I
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Guest post by Laurence Brockliss: The Historian, Middle-Class Marriage, and ‘Women in Love’
I have always been puzzled by Tolstoy’s apodictic statement about happy and unhappy marriages at the beginning of Anna Karenina. How on earth did he know? Even today when the state and the media have penetrated deeply into our private … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Agnes Gladstone, Ancestry.com, Anna Karenina, Arnold Bennett, Bensons, Brighton, Clayhanger, Colin Firth, D.H. Lawrence, Edward Charles Wickham, Edward Talbot, Edward White Benson, F.R. Leavis, Frieda von Richthofen, George Eliot, Henryck Wieniawski, Isabella Wieniawska, Jane Austen, Janet Catherine North, Jennifer Ehle, John Addington Symonds, Lady Chatterley's Lover, Laurence Brockliss, Leo Tolstoy, Lev Tolstoi, Lucy Trotman, marriage, Middlemarch, novels, Oxford, Pride and Prejudice, prosopographical studies, Robert Cooper Lee Bevan, Samuel Fiennes, Simon Goldhill, social history, The English Novel, These Twain, Winchester, Women in Love
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Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
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Guest post by John Pym: ‘Women in Love’ and Glenda Jackson’s Oscar
In London in the 1970s and 80s I used to review movies for the British Film Institute’s Monthly Film Bulletin. That serious, no-frills journal, founded in 1934, aimed to cover every feature film released in UK cinemas. Some of the … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Alan Bates, Ballets Russes, Billy Williams, British Film Institute, D.H. Lawrence, Eleanor Bron, Emmanuelle II, film adaptations, films, Gerald Crich, Glenda Jackson, Hermione Roddice, Jennie Linden, John Pym, Ken Russell, Larry Kramer, Loerke, Oliver Reed, Oscars, Penelope 'Pulls It Off', Peter Brook, pornography, Richard Heffer, Rupert Birkin, soft porn, The Rite of Spring, There's No Sex Like Snow Sex, Ursula Brangwen, Vladek Sheybal, Women in Love
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‘Hurtler’ Brangwen, woman in love
Let me explain what lies behind the next three instalments of Calderonia, which are distinguished guest posts taking us up to 8 March and beyond. As part of our lockdown season of old films, Alison and I watched a DVD … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Alan Bates, Bildungsroman, biography, comments, D.H. Lawrence, Damian Grant, F.R. Leavis, George Calderon, Glenda Jackson, Gudrun Brangwen, Jennie Linden, John Pym, Ken Russell, Lady Chatterley's Lover, Laurence Brockliss, love, marriage, Penguin Books, Rupert Birkin, The Great War, The Rainbow, Ursula Brangwen, Women in Love, World War I
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From the diary of a writer-publisher: 30
15 August 2024 I have seriously to consider binning Twitter (‘X’). I recently started receiving Tweets from Elon Musk, which I either skimmed or did not read at all. This was a mistake, because the bots decided that my ‘tolerance’ … Continue reading →