Captain of the 11
Jean Ryckaert, May 1916.
George Calderon c.1901
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Basic form of the Calderon coat of arms
Patrick Miles in his summer house, 11 December 2016
Sir Richard Vincent Sutton c. 1913
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George and Kittie Calderon 1905
Unpublished watercolour by George Calderon, Tahiti 1906
The entrance to Fort Brockhurst (picture from Britain’s Past)
Colonel Sir Walter Coote Hedley c. 1920
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Monarch Butterfly Madeira
Frontis piece by Frank Calderon
George Calderon, 1912
Christmas 1901 Cartoon by George CalderonRecent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Mews, hues, and wonkers
So (see ‘Two anniversaries’, 29 January), save perhaps for a few lost manuscript versions of Chekhov’s one-act plays made throughout the British Empire for amateur performance, Constance Garnett was the first person to translate a Chekhov play into English (The … Continue reading →