Captain of the 11
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George and Kittie Calderon 1905
Basic form of the Calderon coat of arms
Colonel Sir Walter Coote Hedley c. 1920
Monarch Butterfly Madeira
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
George Calderon c.1901
Sir Richard Vincent Sutton c. 1913
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Unpublished watercolour by George Calderon, Tahiti 1906
Frontis piece by Frank Calderon
Christmas 1901 Cartoon by George Calderon
Patrick Miles in his summer house, 11 December 2016
The entrance to Fort Brockhurst (picture from Britain’s Past)
Book sent to George Calderon in Russia by his mother, Christmas 1895.
George Calderon, 1912
Jean Ryckaert, May 1916.Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Ballets Russes
A stunning discovery
Mr Garry Humphreys is writing a major book about the English composer Arthur Somervell (1863-1937), as well as compiling a catalogue raisonné of Somervell’s compositions. On 6 September last year he emailed me to ask whether I thought a typescript … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Personal commentary
Tagged 'Scheherazade', Abu Nâsi, Arthur Somervell, ballet, Ballets Russes, biographies, biography, cartoons, comments, Dardanelles, Gallipoli, Garry Humphreys, George Calderon, George Calderon: Edwardian Genius, Heathland Lodge, Islam, John Pym, Kittie Calderon, Konstantin Stanislavsky, Michel Fokine, Middle East, mimodramas, Moscow Arts Theatre, The Blue Cloth, The Great War, The Red Cloth, Third Battle of Krithia, Vsevolod Meyerhold, Well Walk, World War I, Ypres
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From the diary of a writer-publisher: 22
24 February 2023 A recent study made by a reliable Moscow source indicates that 22% of the Russians polled were fervently in favour of the war on Ukraine, 20% were deeply opposed to it, and the rest (58%) ‘had no … Continue reading
Posted in Edwardian character, Personal commentary
Tagged acting agencies, Alexander Pushkin, Alexandra Cann, autocracy, ballet, Ballets Russes, biographies, books, Boris Godunov, Call My Agent, Callimachus, comments, democracy, Dix pour cent, France, freedom, Friedrich Nietzsche, George Balanchine, George Calderon: Edwardian Genius, Granta Publishing, independent publishing, James Miles, Jennifer Homans, Lincoln Kirstein, literary agents, Michel Fokine, Moscow, Nadezhda Mandel'shtam, New York City Ballet, opinion polls, responsibility, Russia, Sam&Sam, School of American Ballet, theatre agents, theosophy, Ukraine, Vladimir Soloviev, Volodymyr Zelensky, William Rothenstein
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Guest post by John Pym: ‘Women in Love’ and Glenda Jackson’s Oscar
In London in the 1970s and 80s I used to review movies for the British Film Institute’s Monthly Film Bulletin. That serious, no-frills journal, founded in 1934, aimed to cover every feature film released in UK cinemas. Some of the … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Alan Bates, Ballets Russes, Billy Williams, British Film Institute, D.H. Lawrence, Eleanor Bron, Emmanuelle II, film adaptations, films, Gerald Crich, Glenda Jackson, Hermione Roddice, Jennie Linden, John Pym, Ken Russell, Larry Kramer, Loerke, Oliver Reed, Oscars, Penelope 'Pulls It Off', Peter Brook, pornography, Richard Heffer, Rupert Birkin, soft porn, The Rite of Spring, There's No Sex Like Snow Sex, Ursula Brangwen, Vladek Sheybal, Women in Love
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A TLS review!!!
I was rendered soundless and motionless last Thursday when a stalwart subscriber emailed to tell me that a full-length review of George Calderon: Edwardian Genius had appeared that morning in The Times Literary Supplement. A Zen moment indeed. For consider: … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Anglo-Russian cultural relations, Anton Chekhov, Ballets Russes, biographies, biography, Calderonia, Charlotte Jones, comments, Constance Garnett, George Calderon, George Calderon: Edwardian Genius, Kittie Calderon, Laurence Binyon, Laurence Sterne, life-writing, modernism, Nina Corbet, Professor Rose of Leipzig, reviews, Russomania, Tahiti, The Seagull, Times Literary Supplement, TLS, Tristram Shandy, William John Rose
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Biography’s unheard dimension
Biography is words. Personally, I hear words when I am writing rather than being focussed on their soundless written form — which is probably why I am less than 100% consistent in my presentation of the hieroglyphs on paper. I … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Airs Russes, Albert Cazabon, Aleksandr Glazunov, Alfred Wareing, Anatolii Liadov, Andante cantabile, Anton Chekhov, Ballets Russes, Basil de Sélincourt, biographies, biography, Chanson Trise, comments, Daniel Auber, Dardanelles, Eastcote, Edvard Grieg, eidetics, Gaetano Donizetti, George Calderon, Glasgow Repertory Theatre, Heathland Lodge, Henryk Wieniawski, Jean Sibelius, Kittie Calderon, Konstantin Stanislavsky, L'elisir d'amore, Le Philtre, Les Vendredis, Lev Tolstoi, Madeira, moods, Moscow Art Theatre, Nikolai Sokolov, Peter Tchaikovsky, smell, sound, The Seagull, Trinity College Oxford, Valse Triste, Well Walk
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George L. Calderon, cartoonist
I am extremely grateful to James Miles for his vibrant guest post on Schulz and Peanuts. It certainly improved Calderonia’s viewing figures! I am always loth to ‘take down’ guest posts, because they have something unique and often definitive about them. … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Ballets Russes, biographies, biography, Charles M. Schulz, comments, Funchal, George Calderon, Kittie Calderon, Madeira, Max Beerbohm, Michel Fokine, Peanuts, Percy Lubbock, The Red Cloth
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Another ‘Russian connection’
It is also surprising that in his letter of yesterday Calderon did not mention Captain Fitzgerald, with whom he had shared a hotel room at Ypres. This ‘full-blooded Irishman, black and hairy’ had, we presume, accompanied George to Dunkirk with … Continue reading
Posted in Uncategorized
Tagged Alexis Gunzberg, Ballets Russes, Belgium, Bernard Pares, Captain Fitzgerald, Colonel Gordon Wilson, Diaghilev, Dmitri de Gunzberg, Dunkirk, George Calderon, military interpreters, Royal Horse Guards, School of Russian Studies, Steenwerck, The Blues, The Great War, World War I
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The thickness of events…
When writing a biography, you can go for months in its subject’s life without hearing a word from them, as it were: no letters from them to anyone have survived, they are not recorded as having said anything to anyone … Continue reading
Posted in Edwardian literature, Edwardian marriage, Personal commentary
Tagged 'real time', Ballets Russes, Battle of the Aisne, Battle of the Marne, biographies, biography, comments, George Calderon, Kittie Calderon, Laurence Binyon, Lev Tolstoy, Michel Fokine, Nina Astley, Polovtsian Dances, Prince Igor, The Blues, The Great War, The Times, Windmill Hill Camp, World War I
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Writer’s self-block?
There is no evidence that Calderon wrote anything new in 1914 after signing up. Yet the previous seven months had been packed with literary-theatrical work: he had written or assembled most of his posthumous best-seller Tahiti, finished a pantomime The Brave Little … Continue reading
Posted in Edwardian literature, Personal commentary
Tagged Ballets Russes, Clara Calderon, comments, Diaghilev, George Calderon, Il'ia Tolstoi, Inns of Court Officer Training Corps, Inns of Court Regiment, Laurence Binyon, Lev Tolstoy, Martin Shaw, Michel Fokine, Tahiti, The Brave Little Tailor, The Great War, William Caine, World War I
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George Calderon: A complete new work surfaces
Garry Humphreys, author of a forthcoming book on Arthur Somervell (1863-1937), and I have now received from the archives of the Royal College of Music a link to the score of Somervell’s music for George’s ballet libretto The Blue Cloth (which … Continue reading →