Book sent to George Calderon in Russia by his mother, Christmas 1895.
Patrick Miles in his summer house, 11 December 2016
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Basic form of the Calderon coat of arms
Sir Richard Vincent Sutton c. 1913
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
George Calderon c.1901
George and Kittie Calderon 1905
The entrance to Fort Brockhurst (picture from Britain’s Past)
Frontis piece by Frank Calderon
Jean Ryckaert, May 1916.
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Unpublished watercolour by George Calderon, Tahiti 1906
Colonel Sir Walter Coote Hedley c. 1920
Monarch Butterfly Madeira
Captain of the 11
George Calderon, 1912
Christmas 1901 Cartoon by George CalderonRecent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: biographies
Biography’s unheard dimension
Biography is words. Personally, I hear words when I am writing rather than being focussed on their soundless written form — which is probably why I am less than 100% consistent in my presentation of the hieroglyphs on paper. I … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Airs Russes, Albert Cazabon, Aleksandr Glazunov, Alfred Wareing, Anatolii Liadov, Andante cantabile, Anton Chekhov, Ballets Russes, Basil de Sélincourt, biographies, biography, Chanson Trise, comments, Daniel Auber, Dardanelles, Eastcote, Edvard Grieg, eidetics, Gaetano Donizetti, George Calderon, Glasgow Repertory Theatre, Heathland Lodge, Henryk Wieniawski, Jean Sibelius, Kittie Calderon, Konstantin Stanislavsky, L'elisir d'amore, Le Philtre, Les Vendredis, Lev Tolstoi, Madeira, moods, Moscow Art Theatre, Nikolai Sokolov, Peter Tchaikovsky, smell, sound, The Seagull, Trinity College Oxford, Valse Triste, Well Walk
1 Comment
Guest post: Sam2 on… ‘How to Typeset a Book’ (Part 2)
“Pages… Pages EVERYWHERE!” ————— In the previous entry I went over some fundamentals of self typesetting. I want to point out that those techniques were merely what I had used myself…that is, how it appeared logical to me to do … Continue reading
Posted in Personal commentary
Tagged Adobe Acrobat Pro, Adobe InDesign, Ashitaka, biographies, biography, bottom justification, bugs, captions, Clays Ltd, comments, crop marks, Dante MT, fonts, formatting, George Calderon, George Calderon: Edwardian Genius, GIMP, glitches, hair leads, hair lines, image trials, images, indie publishing, inset images, Jiro Horikoshi, Johannes Gutenberg, LibreOffice, orphans, PDF files, Prince Ashitaka, Princess Mononoke, printers, publishers, publishing, resolution, Sam&Sam, Sam1, Sam2, self-publishing, software, spacing, Studio Ghibli, The Wind Rises, tilting, trim marks, typefaces, typesetting, typesetting a book, typesetting styles, widows
1 Comment
The tome weighs in
Here is what I believe to be the first side view of the newly printed biography: This is the heaviest book in every sense that I shall ever write… Pre-publication orders continue to flow in from loyal followers of this blog, … Continue reading
Interlude on a familiar theme
Clays have pleasantly surprised me by discovering that they have over-printed by not 20 copies, which is the number under/over contractually allowed, but 59 — which they offer me at an extraordinarily good price including free delivery. I have snapped … Continue reading
Posted in Edwardian character, Heroism and Adventure, Modern parallels, Personal commentary
Tagged 14-18 NOW, Arts Council, biographies, biography, Blood Swept Lands and Seas of Red, Brexit, British Expeditionary Force, commemoration, comments, Dalby Forest, Danny Boyle, Die Zeit, Europe, Fly By Night, George Calderon, Kenneth Bogle, Millicent Fawcett, official art, Paul Cummins, personal connection, Rachel Whiteread, Richard Morrison, Shrouds of the Somme, taxpayers, The Cenotaph, the government, The Great War, The Times, Tom Piper, Wilfred Owen, William Orpen, World War I
5 Comments
Thank you!
We are two-thirds of our way through sending out advance, review and complimentary copies all over the world, and have received many plaudits for the appearance and even ‘beauty’ of the book, as well as overwhelming approval of the in-text … Continue reading
The Announcement
We have now received the book in Cambridge — and we think Clays Ltd have done a superb job! Any flaws you notice will be of the author’s making; Clays have printed to the last foreign font and idiosyncrasy … Continue reading
Posted in Edwardian character, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged ABE, Amazon, Andrew Tatham, biographies, biography, Cambridge, Clays Ltd, comments, Dardanelles, Gallipoli, George Calderon, George Calderon: Edwardian Genius, Georgina Aldridge, Harvey Pitcher, Jodi Foulgar, John Dewey, Kindle, Kittie Calderon, limited edition, Martin Shaw, Nielsen Corporation, Oxford, publishers, Sam&Sam, St Andrews, The Great War, Third Battle of Krithia, World War I, Ypres
2 Comments
pre-Announcement announcement
Sam&Sam have embraced Ian Strathcarron’s kind advice to allow three months for marketing my book. The official date of publication, therefore, is 7 September. Shortly before that, a separate web-page and checkout will be available for buying the book online. … Continue reading
So a second edition, then…
It would have been almost too dull if there had been no dramas with Clays the printers in the final run-up to production last week, but I must admit I wasn’t expecting basic technical questions to erupt concerning the jacket … Continue reading
A ‘funny’ moment
Idly doing my housework, as one does, I suddenly realised that my nylon ‘feather’ duster had whisked over Kittie’s surviving suitcase without my even noticing it. I paused and by reflex put my hand on the case. Why I did … Continue reading
Posted in Edwardian character, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged aftermath, biographies, biography, comments, depression, economics, George Calderon, housework, Khodynka, Kittie Calderon, Martin Shaw, Moscow, political economy, publishers, publishing, suitcase, Susie Boyt, Taoism
1 Comment
What I have learned about today’s books
After, in effect, four sets of proofs since March, we uploaded the complete PDF file of the book to the printers (Clays of St Ives) three days ago, five days before the deadline. There will be no celebrating, however, until … Continue reading
Posted in Modern parallels, Personal commentary
Tagged biographies, biography, Boris Johnson, Chatto & Windus, Clays Ltd, comments, Faber & Faber, geometric centre, George Calderon, hair leads, HarperCollins, Hodder & Stoughton, Index, Jonathan Cape, layout, nightmares, Oliver Simon, optical centre, orphans, printing, publishers, The Dedication, typography, widows
Leave a comment
Word and image
One of the many, many benefits to me of this blog has been what I would go so far as to call the ‘democracy’ of it: the fact that it stands open to feedback and Comment from you, its subscribers, … Continue reading
Posted in Heroism and Adventure, Modern parallels, Personal commentary
Tagged A Group Photograph, Andrew Tatham, Austerlitz, biographies, biography, Bloodswept Lands and Seas of Red, book illustrations, cartoons, commemoration, comments, design, George Calderon, Kittie Calderon, Lev Tolstoi, Louis Arthur Klementaski, photographs, printers, self-publishing, The Rings of Saturn, W.G. Sebald, World War I
1 Comment
Tense, moi?
If you sensed unwonted stress at the end of my previous post, you were right. When I decided at the beginning of January that we would bring out the book in six months, I calculated that as ‘the beginning of … Continue reading
Posted in Personal commentary
Tagged Arthur Balfour, biographies, biography, commemoration, comments, Dardanelles, deadlines, Gallipoli, George Calderon, indexes, orphans, PDF files, pressure, proofreading, proofs, publishing, Sam&Sam, stress, Third Battle of Krithia, typesetting, typography, widows
1 Comment
DnA
Longer-term followers of Calderonia will be aware of my preoccupation with Edwardian ‘dilettantism’ and ‘amateurism’. Laurence Binyon, Martin Shaw and Percy Lubbock went out of their way to stress that George was not a dilettante, and the word ‘amateur’ was … Continue reading
Posted in Edwardian character, Edwardian English, Modern parallels, Personal commentary
Tagged amateurism, biographies, biography, comments, dilettantism, fringe theatre, George Calderon, George Calderon: Edwardian Genius, Kittie Calderon, Laurence Binyon, Martin Shaw, Percy Lubbock, publishers, Sam&Sam, self-publishing, semantic, TLS
Leave a comment
Guest post: John Dewey reviews the life of Rosa Newmarch
Rosa Newmarch (1857-1940) was an extraordinary woman of many talents – ‘une femme inoubliable’ as Sibelius once called her, a phrase adopted by Lewis Stevens as the title of this fascinating biography published by Matador in 2011. She achieved considerable … Continue reading →