Jean Ryckaert, May 1916.
Christmas 1901 Cartoon by George Calderon
The entrance to Fort Brockhurst (picture from Britain’s Past)
Sir Richard Vincent Sutton c. 1913
George Calderon, 1912
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Captain of the 11
George Calderon c.1901
George and Kittie Calderon 1905
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Patrick Miles in his summer house, 11 December 2016
Unpublished watercolour by George Calderon, Tahiti 1906
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Frontis piece by Frank Calderon
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Basic form of the Calderon coat of arms
Monarch Butterfly Madeira
Colonel Sir Walter Coote Hedley c. 1920Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Sam&Sam
pre-Announcement announcement
Sam&Sam have embraced Ian Strathcarron’s kind advice to allow three months for marketing my book. The official date of publication, therefore, is 7 September. Shortly before that, a separate web-page and checkout will be available for buying the book online. … Continue reading
So a second edition, then…
It would have been almost too dull if there had been no dramas with Clays the printers in the final run-up to production last week, but I must admit I wasn’t expecting basic technical questions to erupt concerning the jacket … Continue reading
Tense, moi?
If you sensed unwonted stress at the end of my previous post, you were right. When I decided at the beginning of January that we would bring out the book in six months, I calculated that as ‘the beginning of … Continue reading
Posted in Personal commentary
Tagged Arthur Balfour, biographies, biography, commemoration, comments, Dardanelles, deadlines, Gallipoli, George Calderon, indexes, orphans, PDF files, pressure, proofreading, proofs, publishing, Sam&Sam, stress, Third Battle of Krithia, typesetting, typography, widows
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DnA
Longer-term followers of Calderonia will be aware of my preoccupation with Edwardian ‘dilettantism’ and ‘amateurism’. Laurence Binyon, Martin Shaw and Percy Lubbock went out of their way to stress that George was not a dilettante, and the word ‘amateur’ was … Continue reading
Posted in Edwardian character, Edwardian English, Modern parallels, Personal commentary
Tagged amateurism, biographies, biography, comments, dilettantism, fringe theatre, George Calderon, George Calderon: Edwardian Genius, Kittie Calderon, Laurence Binyon, Martin Shaw, Percy Lubbock, publishers, Sam&Sam, self-publishing, semantic, TLS
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Has one become a Fogey?
In 1985, when Sam&Sam needed an ISBN number for N.A. Berdiaev, Aforizmy, I rang up the then registration agency and they sent me a form by post. I filled the form in (by hand, of course) and sent it back to … Continue reading
Sam&Sam publishers — a brief history
George Calderon: Edwardian Genius will be published under the imprint Sam&Sam. ‘What?’ you ask. ‘What on earth’s that?’ Quite. It was deliberately concocted to give nothing away, because it originated in Russia in the period of samizdat. Having been a dissident … Continue reading
Posted in Modern parallels, Personal commentary
Tagged Alexander Pushkin, Camizdat, carbons, comments, Duma, Georgii Fedotov, Joseph Brodsky, Joseph Stalin, KGB, Maia, Martis, mice, Nikolai Berdiaev, perestroika, publishing, Sam&Sam, samizdat, Samuel Goathead, sonnets, Sophie Koulomzin, typewriters, Vladimir Lenin, William Shakespeare
6 Comments
Some notes on orthodoxy
A very happy New Year to all Calderonia’s subscribers, followers, and casual viewers! (If you are one of the latter, please consider subscribing top right.) This is ‘the year’… Following an almost complete absence of response to my last reminders … Continue reading
Posted in Personal commentary
Tagged Animal Farm, biographies, Brimstone Press, Charles Dickens, Clays Ltd, comments, design of boats, George Calderon, George Orwell, Jane Austen, Jenny Uglow, John Dewey, John Polkinghorne, orthodoxy, publishers, publishing, Ruth Scurr, Sam&Sam, Victoria Beckham, William Shakespeare
5 Comments
Publishing
After nearly fifty years of contact with publishers, I could bore for England on the subject…which means that I must make sure I don’t! I will try to keep this short and focussed on the task of finding the right … Continue reading
Posted in Edwardian character, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Anton Chekhov, biographies, biography, comments, George Calderon, Harvey Pitcher, John Murray, Kittie Calderon, publishers, publishing, Sam&Sam, self-publishing, The Great War, World War I, writing mania
3 Comments
The Announcement
We have now received the book in Cambridge — and we think Clays Ltd have done a superb job! Any flaws you notice will be of the author’s making; Clays have printed to the last foreign font and idiosyncrasy … Continue reading →