Patrick Miles in his summer house, 11 December 2016
Unpublished watercolour by George Calderon, Tahiti 1906
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Jean Ryckaert, May 1916.
Christmas 1901 Cartoon by George Calderon
The entrance to Fort Brockhurst (picture from Britain’s Past)
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Captain of the 11
Sir Richard Vincent Sutton c. 1913
Basic form of the Calderon coat of arms
Frontis piece by Frank Calderon
Monarch Butterfly Madeira
George Calderon c.1901
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George Calderon, 1912
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
George and Kittie Calderon 1905
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Colonel Sir Walter Coote Hedley c. 1920Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Anton Chekhov
Whoosh and bang!
A correspondent reminds me that on 7 July I wrote: Since the last approach I made to any of the 31 publishers on my A list was 1 June, I am inclined to think I should wait until at least … Continue reading
Punching on
The campaign to publish continues to develop in unpredictable ways. I have lost three publishers, through no fault of their own. One of them does no real marketing, but saddest of all is the fact that Giles de la Mare, … Continue reading
‘He was away, far away…’
The S.S. Aguila, a cruise ship of the Yeoward Line, dropped anchor off Funchal, the capital of Madeira, on 31 March 1913, probably around lunchtime. There were twenty-nine passengers aboard, including George Calderon. Within a couple of hours he was sitting … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged acacias, Acton Reynald, African Tulip, Anton Chekhov, Archie Ripley, biographies, biography, Botanical Gardens Funchal, bougainvillea, cable cars, Canary Islands, Charles Lambe, Clara Butt, comments, Dardanelles, Funchal, Gallipoli, George Calderon, Harold Dowdall, Jim Corbet, Kittie Calderon, Las Palmas, Lesbia Corbet, Levada do Norte, Lisbon, Liverpool, Madeira, Manchester, Mary Downdall, Monarch butterfly, Monte, Monte Palace Hotel, Nina Astley, Nina Corbet, Portugal, R.M.S. 'Orsova', Reginald Astley, Revolt, S.S. Aguila, Spain, Tahiti, The Canary Islands, The Fountain, The Great War, Trinity College Oxford, Tropical Gardens Funchal, Well Walk, wicker toboggans, World War I, Yeoward Line
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Another wildcard!
After fifty years practice, I have no difficulty transliterating Russian into the Roman alphabet using three different Anglo-American systems; it’s so automatic I can practically switch my brain off as I do it… But I cannot hold the hundred or so … Continue reading
Posted in Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Aldwych Theatre, Anton Chekhov, bibliography, biography, comments, Frederick Lloyd, George Calderon, Hubert Harben, J.P. Wearing, Kittie Calderon, Mary Jerrold, Modern Humanities Research Association, Novello Theatre, Philip Harben, Strand Theatre, The Cherry Orchard, The Fountain, The London Stage, The Seagull, Theatre Royal Glasgow
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Publishing
After nearly fifty years of contact with publishers, I could bore for England on the subject…which means that I must make sure I don’t! I will try to keep this short and focussed on the task of finding the right … Continue reading
Posted in Edwardian character, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Anton Chekhov, biographies, biography, comments, George Calderon, Harvey Pitcher, John Murray, Kittie Calderon, publishers, publishing, Sam&Sam, self-publishing, The Great War, World War I, writing mania
3 Comments
Some ‘announcements’
I am staggered that my Introduction has passed its latest grilling, been tweaked yet again, and finalised as version 8. Deep down, though, I know I can’t write this sort of thing. To quote another favourite tag of Chekhovians, from Three … Continue reading
Posted in Edwardian character, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, biographies, biography, Calderonia, Clare Hopkins, comments, George Calderon, Grant Richards, guest posts, Harvey Pitcher, Laurence Senelick, Three Sisters, Times Literary Supplement, Trinity College Oxford, William Lyon Phelps
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Guest post: Harvey Pitcher, ‘Calderon on Chekhov’
Some years have passed since I last took down my copy of Two Plays of Tchekhof: Translated, with an Introduction and Notes by George Calderon (1912). I remembered the book with affection, especially the introduction, but going back to old … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, appreciation, comments, communication, George Calderon, golf, Harvey Pitcher, literary criticism, meditation, soliloquy, The Cherry Orchard, The Seagull, Three Sisters, Tom Stoppard, translation, Two Plays of Tchekhof, Uncle Vanya
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The limits of biography
I do not know why the popularity of autobiographies and biographies has mushroomed in 21st century Britain. I wish someone would tell us. Meeting and communicating with people makes the world go round, of course, so perhaps the fact that … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Artemis Cooper, autobiography, biographies, biography, Boris Johnson, Cazalets, Claire Harman, comments, Constance Sutton, Damian Collins, Elizabeth Jane Howard, Fatal Purity, Frederick the Great, George Calderon, Harvey Pitcher, John Aubrey: My Own Life, Kittie Calderon, Matthew Dennison, Maximilien de Robespierre, Peter Ackroyd, Philip Sassoon, Richard Chartres, Ruth Scurr, The Great War, Thomas Carlyle, Vita Sackville-West, William Shakespeare, Winston Churchill, World War I
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Biography brainstorm
For the next ten days, I shall be blogging only about biography. On 21 October Harvey Pitcher, the doyen of Chekhov studies in this country, will present a guest post about George Calderon’s famous Introduction to his pioneering translations of The … Continue reading
Russia (continued)
Chapter four of my biography, ‘Who Had He Been?’, relates amongst other things what George did in Russia between 12 October 1895 and the summer of 1897. I think it will be a revelation to a lot of people. It … Continue reading →