8 August
I introduced this summer’s ‘Edwardian Return’ series of posts on 4 June, but it really kicked in with Alison’s guest post ‘Edwardian grandmothers’, which as I write has been up for a week and has another to go. It’s culled many emails from followers who have similar memories, raising the perennial question of why people won’t commit to a Comment on the blog, and what one could do to encourage them! Well, here is an attempt at the latter. The object imaged below is an example, from my own family, of the kind of thing our Edwardian forebears brought back from their ‘colonial’ travels and that have decorated family homes ever since, as Alison describes. My question to followers is: what is it? Contemplating it on my grandparents’ mantelpiece when I was a small boy, I thought it was a model crib (but it isn’t). Offers, please, via Comments. Clue: it is four inches across and the writing just visible on the front is Chinese.
By the time you read this, John Pym’s guest post ‘Games Ancient and Modern’ will have come, but not ‘gone’ as a post is always there, of course, even when it is not in pole position. ‘Games Ancient and Modern’ is the most poetic of all Johnnie’s posts for us, blending Foxwold’s Edwardian past with recent memories of that blessed home. It will be followed by a guest post from our resident prosopographer (look it up), Emeritus Professor Laurence Brockliss, and one about D.H. Lawrence’s story ‘Odour of Chrysanthemums’ (1909) by our resident Lawrentian Damian Grant.
15 August
It is impossible to say what is about to happen in the Ukrainian war. We are led to believe, by both the Ukrainians and western sources, that a decisive Ukrainian counter-offensive is going to be unleashed. The central Russian offensive, we are told, has run out of steam, a large Russian force made the mistake of pushing on westwards over the Dnepro and is potentially trapped there, and the Ukrainians are poised to retake Kherson… But a decisive Ukrainian attack along the whole front has to be very, very carefully timed. The Russian forces’ capability and morale must reach a critical nadir first, and presumably western weapons, particularly missiles and howitzers, have to exceed a critical tipping point.
Meanwhile, Gary Kasparov asks why the Ukrainians don’t destroy the Russian Black Sea Fleet, since they were able spectacularly to sink its flagship, the Moskva. It’s a good question. The Black Sea Fleet seems to have played very little part in the war since that sinking and the unpersoning of the Fleet’s admiral. We know that the Moskva was sunk by the Ukrainians but with precision assistance from the U.S., so perhaps Putin threatened to escalate the conflict nuclearly if that continued, and an agreement was made over the Ukrainians’ heads not to destroy more Russian ships in return for the latter ceasing hostilities. Snake Island was retaken, after all, and a grain corridor has been opened. Meanwhile, Russia is waging nuclear warfare by shelling the nuclear power station at Zaporizhzhia and threatening another Chernobyl.
22 August
Oh dear. I’ve done it. After pulling the postcard below out of my drawer or card rack for nearly fifty years, poising to address and send it, then putting it back with a sigh, but content with the cathartic effect of my threat, I have finally despatched it — to Bloodaxe Books, the Northumberland publishers of poetry collections, and most notably Basil Bunting’s masterpiece Briggflatts.
One does not, of course, send a collection of poems (The New Dark Blue Cowboys: Verse and Poems of Russia) to respected publishers without weeks of researching them, drafting the letter, and engraving their terms of submission on one’s brain (even though I have known Bloodaxe’s publications for thirty years). A slip of paper a week or so later bearing the immaculately printed words ‘We are sorry we cannot help you publish your collection’, is just not good enough. It’s hopelessly unliterary and rude. Of course I know how many collections they (claim they) receive a week, I know that, but my covering letter was nothing if not informative and carefully crafted, and the terms of their submissions were impeccably observed, including the fact that well over half of my book’s contents have been published in magazines. Working part time, a script reader in the 1970s at the National Theatre under John Russell Brown could read up to forty plays a week, write a report on each one, and John would write the playwright a proper letter. If the best publishers of poetry in the country, Faber & Faber, can run to a civilised, handwritten letter, Bloodaxe (not the most friendly of names) can too. Even if Bloodaxe thought my collection bloody awful, they still had no excuse for their inane rejection slip. Out came the card, on went their address and a single line, ‘With all best wishes, [signature]’, on went the First Class stamp, and…I sent it. Yes yes yes, ‘Don’t let rip, get a grip’, mea culpa, mea maxima culpa, but sometimes you owe it to yourself — and others.
30 August
Mikhail Gorbachev has died. I am sure he was gagged by Putin, or self-gagged, in recent years. Having operated under Communist censorship, he always was given to indirect statement and euphemism anyway. I thought it salutary in about 1991 to show my students a fresh copy of Nezavisimaia gazeta (the Independent Newspaper) in which Gorbachev said emphatically that ‘there will never be multi-party democracy in Russia’. At the time, since he was still General Secretary of the Communist Party of the Soviet Union, we interpreted what he said as meaning ‘over my dead body will there be’. Now I tend to regard the words as simply a wise prophecy that came true.
3 September
Decades ago, I acquired a bad ante-cruciate ligament injury in my right knee. If it gets wrenched the wrong way, it flares up again (I call it my ex-cruciate ligament injury). I treat it with a Comfrey imbrocation made up from the recipe in this book, and find that much more effective than bought products. Nevertheless, it always takes a few months to sort it out, during which I tend to limp. The other day, I heard a little boy with a very clear voice call across the road to his father, about thirty yards behind me: ‘Daddy, that man is walking slightly like a penguin.’ It was the word ‘slightly’ that I thought was so good!
10 September
Without exaggeration, within days of the result of the EU referendum it was difficult to find European newspapers in Cambridge, especially German ones. In W.H. Smith recently I bought a copy of Die Zeit for 7 July 2022 and was stunned by this picture on p. 62:
The full-page article accompanying it explains that it has been painted by Michael Triegel to replace the centre panel of an altarpiece painted by Lucas Cranach in 1519 for Naumburg Cathedral and destroyed by Reformation fanatics in 1541. All that is known of Cranach’s panel is that it was of the Virgin Mary with child and saints.
Triegel saw Mary as ‘a simple girl of perhaps sixteen who has become pregnant but not by her husband’, and his own daughter sat for the picture. The black person at extreme left represents St Mauritius and was modelled on someone he spotted in a religious procession in Italy. The man with glasses is Dietrich Bonhoeffer, ‘a Protestant saint if ever there was one’. The woman to the right of Mary’s head, representing her mother Anna, is Triegel’s wife. The bearded man in a red baseball cap represents St Peter and was modelled on a man begging on church steps in Rome. The figure extreme right is St Paul, drawn from a rabbi Triegel met at the Wailing Wall in Jerusalem. There is a long European tradition of doing this sort of thing, of course. Triegel says in his interview: ‘I portrayed them like this because for me the saints are of this world; the divine and the human spheres, the eternal and the earthly, should interpenetrate in the picture’. Formally, the picture isn’t an icon, but Triegel’s last statement isn’t a bad definition of one.
Speaking personally, almost the last figure I noticed was the baby Christ. But when you do, you are amazed and held still. This is Christ as a completely naked and vulnerable child. His expression at first strikes you as a Child of Sorrows. Moreover, Triegel says ‘the way Mary is holding him so that he is spreading his arms out, is almost the pose of the crucifixion’. Yet the eyes of this baby look right at you and into you. They, I think, are the eyes in this picture that you can’t forget once you have seen them. As Bakhtin wrote somewhere, ‘Christ is pure subjectivity directed outwards to all others’. Christ, then, is utter empathy for all others, the whole world; basically, that is what christianity is. ‘I wanted to paint a picture that is alive and gives hope’, Triegel says.
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SOME RESPONSES TO GEORGE CALDERON: EDWARDIAN GENIUS
‘This meticulous yet nimble book is bound to remain the definitive account of Calderon’s life’ Charlotte Jones, The Times Literary Supplement
‘The effort of detection, it must be said, was worth it. The biography is a delight to read.’ Emeritus Professor Laurence Brockliss, The London Magazine
‘It is a masterly synthesis of your own approach with scholarship and very judicious discussion of the evidence.’ Emeritus Professor Catherine Andreyev, historian
‘This comprehensive, meticulously researched and highly readable biography, which the author describes as a “story” rather than an academic biography…’ Michael Pursglove, East-West Review
‘A monumental scholarly masterpiece that gives real insight into how the Edwardians viewed the world.’Arch Tait, Translator of Natalya Rzhevskaya’s Memoirs of a Wartime Interpreter
‘The book is written with great assurance and the reader always feels in safe hands. I liked the idea of it being a story and I read it the same way I would read a novel.’ Harvey Pitcher, writer
‘Presents the Edwardian age, and Calderon in particular, as new and forward-looking.’ Emeritus Professor Michael Alexander, in Trinity College, Oxford, Report 2017-18
A review by DAMIAN GRANT appears in the comments to Calderonia’s 7 September post.
Guest post by Laurence Brockliss: In Search of the Edwardians
Since the beginning of recorded time, chroniclers and historians have used the reigns of princely houses and individual monarchs, and later the periods of office of presidents and political leaders, as a framing device to bring a semblance of order to the congeries of past events, artefacts and attitudes that they are endeavouring with greater or less success to recover, assess and generally lick into shape. But as our knowledge of the past in all its many aspects has greatly increased with the emergence of history as an academic profession, so labels such as the Age of the Tudors or the Henrician or Elizabethan Age have lost much of their chronological precision. The labels are still used as a convenient shorthand but in the fields of economic, social and cultural history, and even sometimes political history, the distinctive features that the use of the term is intended to conjure up are seldom defined temporally by a dynastic era or an individual reign. Either the feature in question spreads far beyond the parameters of the reign to which it is attributed, or when the reign is long the feature is only in evidence for a part of the time. It is also the case, too, that what has been defined as distinctive and thus historically noteworthy may be true only of one particular social class or a specific group within an occupation.
Tomb of Queen Victoria and Prince Albert at Frogmore (royal.uk)
These opening remarks are particularly pertinent in the case of the use of the term ‘Edwardian Age’. Compared with his predecessor’s reign, Edward VII’s was very short – less than ten years. It would be ridiculous to suppose that in the relatively fast moving world of the turn of the twentieth century the population of the United Kingdom suddenly changed its spots overnight in February 1901 as Victoria was buried at Frogmore, and then as suddenly changed them again in May 1910 when Edward gave way to George V, however different the personality and style of the three monarchs. On the other hand, there definitely was an Edwardian Age, if we mean by that a period of time embracing the reign of Edward VII in which Britain looked very different from the profile it presented in the classic Victorian era.
The state in this new age was characterised by a much larger governmental apparatus brought into being initially to mitigate the worst effects of poverty in a country where wealth was extremely unevenly distributed. The economy was dominated by big corporations; women of the respectable classes sought the vote and the unmarried among them no longer considered paid work beneath them; the working classes had their own political party in the form of Labour; Ireland was on the move; and novelists now took the whole world (even the universe in the case of H.G. Wells) for their canvas, showed a new interest in non-anglophone literature, and were as ready to take seriously the lives and loves of little men as the squabbles, struggles and moral dilemmas of the propertied classes. The list of differences is endless. And beneath all the obvious ones that historians have long picked up on, there were deeper changes to the rhythm of life, particularly among the affluent middle classes, which were much more significant for the long term.
Three points will suffice in the way of illustration. In the first place, the Edwardian middle-class family was much smaller than its Victorian counterpart. I have talked in previous posts about my ongoing study of professional families in the Victorian and Edwardian era, which takes as its starting point 758 professional men in active practice in 1851. The decrease in size of these families between the two eras was huge. In the mid-nineteenth century middle-class families were seldom as large as working-class ones because both men and women married in their mid- to late twenties. Nonetheless, professional families who had children usually had five or six. In contrast, the grandchildren of these families, whose married lives mainly either spanned or began in Edward’s reign, now only had one or two. One set of the families I have studied – 150 of the total — had a progenitor based in Leeds in the mid-nineteenth century. Seventy-four of the grandchildren of these mid-Victorian Loiners (Leeds inhabitants) are known to have been married and living in England and Wales in 1911. Of these, forty-seven had been married for four years or more. The twenty-nine married for between four and ten years had on average 1.8 children; the eighteen married between eleven and twenty-two years had 2.5; and only six out of the forty-seven had four children or more. Family limitation was now the name of the game.
The grandchildren, moreover, seem to have been much more domestically rooted than their predecessors. The mid-nineteenth century professional was very active outside the home. Among the 150 living in Leeds, a third were either a member of a political party, a member of a national or local pressure group, a national or local government officeholder, a freemason, or a member of a learned society or select club, such as the Leeds Philosophical and Literary Society. The editor of the Leeds Mercury Edward Baines (1800-1890), who as a young man had stood on the hustings at Peterloo, had his finger in every associational pie except freemasonry. He also collected paintings.
Percival Tookey Leigh, by Edwin Reeve Crosse (Leeds Civic Collection)
Their grandsons in comparison showed little interest in the arts and sciences or in being a good citizen. With the notable exception of the dentist Percival Tookey Leigh (1865-1938), Chairman of the Leeds Borough Council Libraries and Arts Committee and eventual Lord Mayor, none entered local government. The pattern was repeated among all the 758 professional families in the different British towns I have concentrated on. Among the grandsons, nearly all adults or on the edge of adulthood when Edward came to the throne, a minority took an interest in the Volunteers or the Territorials, but they were five times less likely than their grandfathers to hold any sort of civic office during their lives. Apart from the handful who were university dons or industrial engineers, such as Barnes Wallis (1887-1979), they certainly made no contribution to the development of the natural and historical sciences, unlike many of their forebears. As a group they seem to have been much more interested in sport than service or knowledge.
Barnes Wallis (Barnes Wallis Foundation)
With so few of these Edwardians trying to advance science or improve the world, the affluent had much more leisure time than their ancestors. If they had means, they did not spend it quietly reading or playing cards in the family nest à la Pooter but went out in the evening en famille to the theatre and concerts or dined out with friends. Long before the First World War, the richest amongst them took advantage of the safer and faster steamships to travel the world. The most egregious example of an international traveller among them was the Reverend Harold Ayde Prichard (1882-1944), a scion of a dynasty of Bristol physicians, married to the daughter of an American diplomat related to Whistler, who emigrated to the United States in 1906 and became the rector of an affluent Episcopalian parish outside New York. In a letter in 1924, written for the benefit of his extended family, Harold claimed to have crossed the Atlantic twenty-one times on many different ships, including the Lusitania. He had also traversed the United States six times by rail. Harold throughout his life was a man on the move, either on behalf of the church or for simple pleasure. He appears to have visited most parts of Europe at one time or another and even travelled to Norway’s North Cape, today the most northerly part of the continent accessible by road. In other words, at the moment when women, the working classes, and the Irish were beginning to organise effectively in pursuit of a new deal, many of the propertied were flaunting their wealth and mobility more extravagantly than ever.
Revd Harold Ayde Prichard (1922 passport photograph)
Hedonism, albeit of a kind that the Church establishment would have found acceptable, was alive and well among the Edwardian middle classes and was not just a characteristic of ‘Bertie’ and his entourage. But it could be an expensive lifestyle. Most grandsons at the end of their lives were much poorer in real terms than their grandfathers, even though they had had much smaller families to raise. Admittedly their generation had had to pay higher taxes, but they do not appear to have embraced financial prudence as robustly as their Victorian forebears. Gladstone, the epitome of Victorian rectitude, left an estate valued at £255,000 (£160,000 in land). Two of his grandsons, William Gladstone Wickham (1877-1939) and Edward Stephen Gladstone Wickham (1882-1960), members of one of my professional families originally based in Winchester, were much less wealthy when they died. The first, a businessman and British trade commissioner to South Africa, was worth £8,970; the second, a clergyman, £28,301. In comparison with the ‘Grand Old Man’s’ fortune, both were paltry sums in real terms.
Seated: E.S. Gladstone Wickham (North Ormesby History Group)
But if there was definitely an Edwardian Age or an age distinct from the Victorian era, when did it begin and end? A plausible starting-point would be around 1880 in the aftermath of the 1870s economic depression which followed two decades of growth that had benefitted the whole population. It would be wrong to attribute the change in mentalités simply to the experience of the depression, for historians continue to debate its extent and long-term effect. But there can be no doubt that all the chief characteristics of the new age date from the early 1880s. In the world of the arts and sciences, 1880 saw the publication of the first of Gissing’s ‘misery’ novels, Workers in the Dawn; two years later Charles Darwin, the last great amateur scientist, died.
Click the cover to find this book on Amazon.
Dating the end of the Edwardian Age is much more difficult. The obvious year to choose would be 1914, but many historians today are loath to see the First World War as a turning-point. Although its horrors and the effect on the men who served and the families who were bereaved can never be exaggerated, the war in important respects — the expansion of state power; women’s emancipation; the distrust of amateurism; the rise of the Labour Party; the pursuit of pleasure — consolidated rather than undermined the hallmarks of the Edwardian era. Far fewer men between fifteen and forty-nine saw active service than is popularly assumed: 46.3 per cent. Those who survived, and most did – the average death-rate (officers and men) was 12 per cent — appear to have slotted back easily into the lives they had lived before they volunteered or were conscripted. Eighty-six of the grandsons of my mid-Victorian professionals who came home from the war were still alive in 1939 and appear in the ration-book census of that year. Of those still in work, three-quarters were plying the same craft or profession as in the 1911 census, if usually on a higher grade. The married among the returnees seem to have had no difficulty, either, in fitting back into pre-war family life. Divorces in the 1920s and 1930s among the descendants of my professional cohort were extremely rare and cannot easily be attributed to the war.
John Baines and Elisabeth Wicksteed, 1914 (Dearest Mother: First World War Letters Home from a Young Sapper Officer in France and Salonika, Solihull, Helion & Company, 2015, p. 28)
John Stanhope Baines (1894-1951), great-grandson of Edward, and Elisabeth Wicksteed (1893-1972), granddaughter of the Leeds Unitarian minister Charles Wicksteed (1810-85), married in 1916 while John, a regular officer in the Royal Engineers, was on leave. They were a classic Edwardian couple with means and, according to their letters, made ‘carpe diem’ their motto. They divorced on the eve of the Second World War but the breakdown of their marriage was precipitated by the unexpected death of their second son, killed in an accident in the south of France.
Perhaps a better end-date for the Edwardian Age would be the early 1930s in the midst of another and greater economic depression. Arguably, it was only then that a significant section of the well-to-do began to wonder whether Britain’s imperial, political and social political system needed completely restructuring, sometimes in alarming ways, and started advocating a more sober and serious style of life. One of the grandsons in my study, the Catholic solicitor and writer Joseph Kentigern Heydon (1884-1947), became an ardent supporter of the authoritarian right: his books included Fascism and Providence (1937). A great-granddaughter, Aileen Alison Furse (1910-57), a member of the Wickham clan, married ‘Kim’ Philby (1912-88). This was a new Georgian Age personified at either end of the spectrum of mainstream politics by George VI and George Orwell, which only failed to become recognised as a historical period because of the former’s early death. The Edwardian Age was full of contradictions and was arguably the one period when Britain was threatened by internecine class conflict, epitomised by the large scale strikes in the years before the First World War and in the mid-1920s. The new Georgian/Elizabethan Age was characterised by a less volatile social and industrial landscape stabilised by the construction of the Welfare State and the political consensus of the 1950s and 1960s known as Butskellism.
© Laurence Brockliss, 2022
Laurence Brockliss is an Emeritus Professor of History of the University of Oxford and an Emeritus Fellow of Magdalen College, Oxford. He is a Fellow of the British Academy. He works on the history of education, science and medicine in Britain and France between 1500 and the present day. His books include French Universities in the Seventeenth and Eighteenth Centuries: A Cultural History (Oxford, 1986); [with Colin Jones] The Medical World of Early Modern France (Oxford, 1997); Calvet’s Web: Enlightenment and the Republic of Letters in Eighteenth-Century France (Oxford, 2002); and The University of Oxford: A History (Oxford, 2016). He has recently written up an ESRC-funded study of the professions in Victorian and Edwardian Britain, which will be published by Oxford University Press.
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SOME RESPONSES TO GEORGE CALDERON: EDWARDIAN GENIUS
‘This meticulous yet nimble book is bound to remain the definitive account of Calderon’s life’ Charlotte Jones, The Times Literary Supplement
‘The effort of detection, it must be said, was worth it. The biography is a delight to read.’ Emeritus Professor Laurence Brockliss, The London Magazine
‘It is a masterly synthesis of your own approach with scholarship and very judicious discussion of the evidence.’ Emeritus Professor Catherine Andreyev, historian
‘This comprehensive, meticulously researched and highly readable biography, which the author describes as a “story” rather than an academic biography…’ Michael Pursglove, East-West Review
‘A monumental scholarly masterpiece that gives real insight into how the Edwardians viewed the world.’Arch Tait, Translator of Natalya Rzhevskaya’s Memoirs of a Wartime Interpreter
‘The book is written with great assurance and the reader always feels in safe hands. I liked the idea of it being a story and I read it the same way I would read a novel.’ Harvey Pitcher, writer
‘Presents the Edwardian age, and Calderon in particular, as new and forward-looking.’ Emeritus Professor Michael Alexander, in Trinity College, Oxford, Report 2017-18
A review by DAMIAN GRANT appears in the comments to Calderonia’s 7 September post.
A review by JOHN DEWEY appears on Amazon UK.