Unpublished watercolour by George Calderon, Tahiti 1906
Monarch Butterfly Madeira
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Jean Ryckaert, May 1916.
Christmas 1901 Cartoon by George Calderon
The entrance to Fort Brockhurst (picture from Britain’s Past)
Frontis piece by Frank Calderon
Colonel Sir Walter Coote Hedley c. 1920
Patrick Miles in his summer house, 11 December 2016
George Calderon c.1901
Basic form of the Calderon coat of arms
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Captain of the 11
George and Kittie Calderon 1905
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
George Calderon, 1912
Sir Richard Vincent Sutton c. 1913
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Tag Archives: Anton Chekhov
A year of promise
A very happy new year to all Calderonia’s subscribers and viewers! Thank you for staying with us through 2021, which was our eighth calendar year, and I can promise you at least another year of posts from me and my … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Anton Chekhov: A Short Life, BASEES, biographies, British Association for Slavonic and East European Studies, Calderonia, comments, COVID-19, George Calderon, George Calderon: Edwardian Genius, Gleb Yakunin, Jim Miles, pandemics, promises, Robinson College, Sam&Sam, Sergei Bychkov, Spanish Flu, The Great War, World War I
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‘Lady Chatterley’s Lover’: Fragments of a response
When I read the novel for the first time, I was bemused by the in-your-face tone of the narrator, who is even given to exclamatory comments: ‘But that is how men are!’ — ‘But Emma said No!’ — ‘Yes, she … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Clifford Chatterley, comments, Constance Chatterley, D.H. Lawrence, Damian Grant, display, Doris Lessing, God, kittiwakes, Lady Chatterley, Lady Chatterley's Lover, letters, marriage, narrators, Oliver Mellors, orgasm, PTSD, sex, Sons of God, The Great War, The Rainbow, William Gerhardie, Women in Love, World War 2, World War I
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Lady with little dog/Gamekeeper with spaniel
Our guest posts on Women in Love opened an admirable exchange of Comments about all sorts of aspects of Lawrence’s work. I think there was a feeling, however, that we were left with an elephant in the room: Lady … Continue reading
Posted in Modern parallels, Personal commentary
Tagged A Propos of 'Lady Chatterley's Lover', Anna Sergeevna, Anton Chekhov, Clifford Chatterley, comments, compassion, Connie, Constance Chatterley, D.H. Lawrence, Damian Grant, Dmitrii Gurov, dogs, ends, Flossie, Lady Chatterley, Lady Chatterley Trial, Lady Chatterley's Lover, love, Mark Schorer, narrative endings, new marriage, Oliver Mellors, Paul Cézanne, Penguin Books, Pomeranian dogs, roman adultère, sex, tenderness, The Lady with the Little Dog, The Winter's Tale, William Shakespeare
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From the diary of a writer-publisher: 15
2 June I have never known the cow parsley so high in front of my shed… 11 June We have completed our ‘hardcopy marketing’ for Edna’s Diary. 130 free copies have gone out to stroke clubs, NHS speech and language therapy … Continue reading
Posted in Personal commentary
Tagged ADC Theatre, Anton Chekhov, aphasia, As You Like It, biographies, comments, copyright, cow parsley, Cymbeline, Edna's Diary, Hesperus Press, Lady Chatterley's Lover, marketing, Melanie Derbyshire, musicals, NHS, Sasha Regan, Shaftesbury Theatre, sheds, social media, Stroke Association UK, Sylvia Krystel
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Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Battle of the Somme, Breadalby, Catherine Brown, Centre Party, comments, Constance Garnett, D.H. Lawrence, Dwala, elopement, English Review, Ernest Weekley, Fanny Stepniak, Far End, Fathers and Sons, Ford Hueffer, Ford Madox Ford, Frieda Lawrence, Frieda Weekley, Garsington, George Calderon, George Calderon: Edwardian Genius, Hampstead, Ivan Turgenev, John Worthen, Kittie Calderon, polymathery, revolution, The Edwardians, The Great War, Thomas Sturge Moore, translation, Trinity College Oxford, Well Walk, William Rothenstein, Women in Love, World War I
9 Comments
‘Spectator’
SAVE IT FOR THE (AMERICAN) NATION! How British archives fail us Patrick Miles It was a biographer’s dream. For decades Russianists had searched in vain for the archive of George Calderon, top Edwardian Slavist and the man who brought Chekhov’s … Continue reading
Posted in Edwardian literature, Personal commentary
Tagged American archives, Anton Chekhov, archivists, attics, auction houses, bequests, Bernard Quaritch Ltd, Bertram Rota Ltd, biographies, biography, British archives, Cambridge University Library, celebrity, comments, cultural heritage, dilettantism, George Calderon, George Calderon: Edwardian Genius, Gertrude Bell, Harold Pinter, Harvard University, Jane Austen, Joseph Conrad, Kittie Calderon, learned helplessness, media image, patrimony, PR, research value, Rupert Brooke, The Bodleian Library, The British Library, The Calderon Papers, The Houghton Library, The Spectator, The Watsons, V. Pokrovskii, vultures, Wendy Cope
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Explanatory notes to ‘Thunderer’
I give here some of the facts from my and my team’s experience that lie behind statements I made in the preceding post, whilst preserving the anonymity of most of the offending institutions because I think to name them would … Continue reading
Posted in Edwardian literature, Heroism and Adventure, Personal commentary
Tagged Aleksandr Anikst, Anglo-Soviet Colloquium 'Chekhov on the British Stage', Anna Sica, Anton Chekhov, archival managers, archive donations, archive sales, Bernard Quaritch Ltd, British archives, Cambridge Modern and Medieval Languages Faculty Library, Cambridge Slavonic Library, Cambridge University Library, cataloguing, Chekhov Centenary Medal, collecting, comments, communication, conservation, customer care, Eleonora Duse, Elizabeth Hill, Gallipoli, George Calderon, Jane Austen, Lucjan Lewitter, Martin Shaw, Mikhail Gorbachev, Murray Edwards College, New Hall, Oleg Efremov, Ray Scrivens, Sotheby's, Special Collections, The Bodleian Library, The Brave Little Tailor, The British Library, The Great War, The Watsons, V. Pokrovskii, William Caine, World War I
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‘Thunderer’
Curate your own stuff – British archives can’t cope PATRICK MILES Thinking of depositing your family papers in a public archive? Be prepared for nobody to answer your emails, promises to be broken, cataloguing never to happen, and to discover … Continue reading
Posted in Edwardian character, Edwardian literature, Heroism and Adventure, Personal commentary
Tagged accountants, Anton Chekhov, archives, archivists, biographies, biography, British archives, cataloguing, celebrity, collecting, comments, conferences, conservation, curation, Dardanelles, exhibitions, funding, Gallipoli, George Calderon, George Calderon: Edwardian Genius, Harold Pinter, Jane Austen, Less Process, Martin Shaw, More Product, PR consultants, The British Library, The Great War, The Watsons, Third Battle of Krithia, United States of America, Wendy Cope, World War I, Ypres
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‘People are reading an awful lot…
…and many booksellers are doing mail order,’ writes Susan Hill in The Spectator. I should say they are! Click the prompt at the bottom of this post to buy my blockbuster biography from Sam&Sam while stocks last! Obsessed with self-image, … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged activism, Anna Karenina, Anton Chekhov, biographies, British Expeditionary Force, Dardanelles, Edward VII, Gallipoli, George Calderon, George Calderon: Edwardian Genius, Kittie Calderon, Middlemarch, New Drama, Nina Corbet, Oxfordshire and Buckinghamshire Light Infantry, polymathery, portfolio career, publicity, Russia, Sam&Sam, self-isolation, Susan Hill, Tahiti, The Edwardians, The Great War, The Spectator, Third Battle of Krithia, Times Literary Supplement, World War I, Ypres
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From the diary of a writer-publisher: 8
13 March Within seven hours of my last post going up, the organisers of the 2020 conference of the British Association of Slavonic and East European Studies (BASEES) emailed everyone to say they were calling it off. Only an hour … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Archie Brown, BASEES, BASEES Conference, Black Crow, coronavirus, COVID-19, democracy, Edmund Burke, George Eliot, Marcel Proust, Matthew Paris, Middlemarch, Mikhail Gorbachev, newspapers, parliamentarianism, philosophy, quarantine, Rodric Braithwaite, Sam&Sam, self-isolation, Sergei Esenin, The Spectator, The Times
2 Comments
A stone cries out
I have assiduously avoided expressing my own views about controversial matters on Calderonia, as it is simply not a personal blog in that sense. I am as silent as a stone on such things. Sometimes, however, as someone said, even … Continue reading
Posted in Edwardian character, Modern parallels, Personal commentary
Tagged Anton Chekhov, Behave Badly badges, Cambridge University Library, comments, gender equality, marketing, merchandise, Milstein Exhibition Centre, PR, The Rising Tide: Women at Cambridge, Three Sisters, Votes for Women
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From the diary of a writer-publisher: 5
2 October I arrived in St Andrews as the guest of the best owner of a private archive in Britain, who had unfailingly facilitated and nurtured my work on George’s biography over a period of twenty years, and without whom … Continue reading
Posted in Edwardian character, Edwardian literature, Edwardian marriage, Personal commentary
Tagged 'Gone with a Basilisk', Acton Reynald, Anton Chekhov, biographies, biography, Brexit, Cambridge Chekhov Company, Cambridge Festival, comments, Cromwell: Mall o' Monks, Edinburgh Festival, George Calderon, George Calderon: Edwardian Genius, Jim Corbet, Kittie Calderon, Lesbia Corbet, Manya Ross, Nina Corbet, Pall Mall Gazette, Peter the Great, Queen Victoria, Russia, Samuel Hynes, Sir Walter Corbet, St Andrews, St Petersburg, Susan de Guardiola, The Cherry Orchard, The Edwardian Turn of Mind
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From the diary of a writer-publisher: 17
24 January 2022 I have received several emails commiserating with me over my ‘anxiety’ and ‘nightmares’ about marking examination papers. The writers clearly assume I am Dr Robinson in my story Ghoune — that the story is strictly autobiographical and … Continue reading →