Sir Richard Vincent Sutton c. 1913
Unpublished watercolour by George Calderon, Tahiti 1906
Captain of the 11
Basic form of the Calderon coat of arms
Book sent to George Calderon in Russia by his mother, Christmas 1895.
George Calderon c.1901
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
The entrance to Fort Brockhurst (picture from Britain’s Past)
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Monarch Butterfly Madeira
Jean Ryckaert, May 1916.
George Calderon, 1912
Colonel Sir Walter Coote Hedley c. 1920
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
George and Kittie Calderon 1905
Frontis piece by Frank Calderon
Christmas 1901 Cartoon by George Calderon
Patrick Miles in his summer house, 11 December 2016
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Monthly Archives: September 2022
From the diary of a writer-publisher: 18
8 August I introduced this summer’s ‘Edwardian Return’ series of posts on 4 June, but it really kicked in with Alison’s guest post ‘Edwardian grandmothers’, which as I write has been up for a week and has another to go. … Continue reading →
Posted in Edwardian character, Modern parallels, Personal commentary
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Tagged Alison Miles, ante-cruciate ligament, Basil Bunting, Bloodaxe Books, British Empire, Chernobyl, chinoiserie, Comfrey, counter offensives, D.H. Lawrence, Damian Grant, Die Zeit, Dietrich Bonhoeffer, Dnepro, Faber & Faber, floral messages, foreign travel, Foxwold, Gary Kasparov, guest posts, herbal remedies, howitzers, icons, Jesus Christ, John Pym, John Russell Brown, Kherson, knee injuries, Laurence Brockliss, Lucas Cranach, Michael Triegel, Mikhail Bakhtin, Mikhail Gorbachev, missiles, mystery object, National Theatre, Naumburg, Nezavisimaia gazeta, penguins, prosopography, rudeness, Snake Island, soapstone, St Mauritius, St Paul, St Peter, subjectivity, The Edwardians, The Moskva, The New Dark Blue Cowboys, The Virgin Mary, The Wailing Wall, Ukraine, Vladimir Putin, Zaporozhzhia
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George Calderon’s New Drama
Naturally, my foray into short videos had to end with one about George. I suddenly thought that although the contribution of his own plays to Edwardian ‘New Drama’ is now largely forgotten, one could claim that Chekhov’s plays, which he … Continue reading →
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Personal commentary
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Tagged Anton Chekhov, biographies, biography, comments, Constance Garnett, Dardanelles, Gallipoli, George Bernard Shaw, George Calderon, George Calderon: Edwardian Genius, Glasgow Repertory Theatre, Granville Barker, John Galsworthy, Khodynka Disaster, Khodynka Field, Kittie Calderon, New Drama, Oxford, Oxford Playhouse, Pedro Calderón de la Barca, politics, Russia, St John Hankin, Tahiti, The Cherry Orchard, The Fountain, The Great War, The Seagull, Third Battle of Krithia, William Shakespeare, World War I
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Guest post by Laurence Brockliss: In Search of the Edwardians
Since the beginning of recorded time, chroniclers and historians have used the reigns of princely houses and individual monarchs, and later the periods of office of presidents and political leaders, as a framing device to bring a semblance of order … Continue reading →