George Calderon, 1912
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Captain of the 11
George and Kittie Calderon 1905
The entrance to Fort Brockhurst (picture from Britain’s Past)
Christmas 1901 Cartoon by George Calderon
Basic form of the Calderon coat of arms
Sir Richard Vincent Sutton c. 1913
George Calderon c.1901
Colonel Sir Walter Coote Hedley c. 1920
Monarch Butterfly Madeira
Jean Ryckaert, May 1916.
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Unpublished watercolour by George Calderon, Tahiti 1906
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Frontis piece by Frank Calderon
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Patrick Miles in his summer house, 11 December 2016Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Monthly Archives: July 2018
Guest post: Sam2 on… ‘How to Typeset a Book’ (Part 2)
“Pages… Pages EVERYWHERE!” ————— In the previous entry I went over some fundamentals of self typesetting. I want to point out that those techniques were merely what I had used myself…that is, how it appeared logical to me to do … Continue reading
Posted in Personal commentary
Tagged Adobe Acrobat Pro, Adobe InDesign, Ashitaka, biographies, biography, bottom justification, bugs, captions, Clays Ltd, comments, crop marks, Dante MT, fonts, formatting, George Calderon, George Calderon: Edwardian Genius, GIMP, glitches, hair leads, hair lines, image trials, images, indie publishing, inset images, Jiro Horikoshi, Johannes Gutenberg, LibreOffice, orphans, PDF files, Prince Ashitaka, Princess Mononoke, printers, publishers, publishing, resolution, Sam&Sam, Sam1, Sam2, self-publishing, software, spacing, Studio Ghibli, The Wind Rises, tilting, trim marks, typefaces, typesetting, typesetting a book, typesetting styles, widows
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Does computer typesetting produce a ‘chaotic system’?
Like me, I expect you have wondered why a modern commercially published book that is to all appearances superbly produced can neverthless have typographical garbage and weird other phenomena in it, or why odd entries in its Index are consistently … Continue reading
Posted in Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, butterfly effect, chaology, chaos theory, comments, determinism, garbage, George Calderon, George Calderon: Edwardian Genius, glitches, Grant Richards, italics, John Aubrey: My Own Life, morpho butterflies, PDF files, printers, proofs, publishers, random events, roman, Ruth Scurr, Sam&Sam, Sam2, Two Plays by Tchekhof, typesetting
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The tome weighs in
Here is what I believe to be the first side view of the newly printed biography: This is the heaviest book in every sense that I shall ever write… Pre-publication orders continue to flow in from loyal followers of this blog, … Continue reading
Biography’s unheard dimension
Biography is words. Personally, I hear words when I am writing rather than being focussed on their soundless written form — which is probably why I am less than 100% consistent in my presentation of the hieroglyphs on paper. I … Continue reading →