Category Archives: Personal commentary

‘Phantom flies in amber’ (Concluded)

In my post of 5 January I described what I assume is a bugbear of all biographers: ‘facts’ that you have acquired from somewhere, that stick in your mind like flies in amber, but when you want to use them … Continue reading

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‘Bifurcation’ and ‘chronotopia’ again

Those who have been on my journey since 30 July 1914/2014 will remember that six weeks into it (12 September) I wrote about the problem I was having of holding in my head the two activities of writing the blog … Continue reading

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Time and the biographer

I have received a long and very interesting letter from John Dewey, author of the superb Mirror of the Soul: A Life of the Poet Fyodor Tyutchev (2010), commenting on my various posts over the last three months that touch on … Continue reading

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Gallipoli: the beginning of the end

Today, 25 March 1915, Field Marshal Otto Liman von Sanders left Constantinople for Gallipoli to take command of the Turkish forces at the Dardanelles. He was not a brilliant Prussian general, but many consider him first-rate. Upon arriving, he said … Continue reading

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A terrific find

Please read Katy George’s and my Comments for the background to this letter, which Katy discovered recently amongst some papers of Mrs Raikes in a charity shop in Deal, Kent. New letters of Kittie Calderon’s are as rare as new … Continue reading

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Tahiti: an imagined world?

It must have taken great self-control for George to concentrate on making a full synopsis of his book Tahiti when he was home on weekend leave, rather than simply keep writing it. But it was certainly the most rational approach. … Continue reading

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‘Calderonia’: an update

New followers of the blog deserve an explanation, I feel, of why the last four posts have been purely military and what stage ‘Calderonia’ is at. The main object of the blog is to follow the last year of writer … Continue reading

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Who was George Calderon (again)?

I first posted on this subject last year, 13 September. The reason I am touching on it again now is that a follower has very kindly sent me a cutting from the International New York Times of 23 January which is … Continue reading

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A biographer in-spires

I have just read a long article by Ruth Scurr, ‘Lives, some briefer than others’, in last Saturday’s Guardian Review (28 February), which I thoroughly recommend to followers if they can get it, along with a piece by Stuart Kelly, ‘Enter … Continue reading

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The biographer perspires

For a few days, I am almost entirely taken up with two smallish but extended projects that have nothing to do with my biography of George Calderon. This is highly frustrating. I tied up chapter 14, which ends with George … Continue reading

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The return to Tahiti

Calderon arrived in London from Tahiti on 30 October 1906 and started writing his book about the island in November 1907. However, he soon gave it up to concentrate on his plays The Fountain and Cromwell: Mall o’Monks. Meanwhile, as Kittie put … Continue reading

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‘Black Pot’ and black holes

For the first two years that I was writing George Calderon’s biography, its working title was Black Pot: The Mysterious Life of George Calderon.  The reason for this was not just that several people before me had failed to find significantly … Continue reading

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Writers’ illnesses

Presumably George Calderon had recovered from the influenza that confined him to Fort Brockhurst for a fortnight; but if so, why did he come home on sick leave ‘still very ill and with a high temperature’, as Kittie described it? … Continue reading

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Profs Phelps and Senelick get it right

On 14 September 1922 the following letter appeared on pages 584-85 of the Times Literary Supplement:  Sir, — In your issue for August 3 you say “outside Mr Lubbock’s book, Calderon’s plays and ‘Tahiti’ are all that is left of a … Continue reading

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The Edwardian turn of language

If George’s translations are ‘quirky’ and Constance’s ‘bland’, what is it they have in common that qualifies them both as ‘Edwardian’? A certain kind of logorrhoea combined with loose sentence structure and genteelism. Garnett, it has to be said, is … Continue reading

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Mews, hues, and wonkers

So (see ‘Two anniversaries’, 29 January), save perhaps for a few lost manuscript versions of Chekhov’s one-act plays made throughout the British Empire for amateur performance, Constance Garnett was the first person to translate a Chekhov play into English (The … Continue reading

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