George Calderon, 1912
Frontis piece by Frank Calderon
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Unpublished watercolour by George Calderon, Tahiti 1906
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Sir Richard Vincent Sutton c. 1913
George and Kittie Calderon 1905
George Calderon c.1901
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Monarch Butterfly Madeira
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Captain of the 11
The entrance to Fort Brockhurst (picture from Britain’s Past)
Basic form of the Calderon coat of arms
Christmas 1901 Cartoon by George Calderon
Colonel Sir Walter Coote Hedley c. 1920
Jean Ryckaert, May 1916.
Patrick Miles in his summer house, 11 December 2016
Recent Comments
- John Pym on Two anniversaries We are all, followers and occasional contributors, beholden to you, Patrick, for reminding us for ten years that the past is worth remembering and for keeping alive the... (August 17, 2024 at 1:06 pm)
- Patrick Miles on A second Family Bible Very many thanks for fleshing that point out -- and so entertainingly! (I love your reference to creative writing courses, which are a phobia of mine.) Although several... (August 2, 2024 at 11:03 am)
- Laurence Brockliss on A second Family Bible When I say that the British Republic of Letters was dead by 1880, I don't mean to imply that thereafter there were no men and women outside universities, institutes and... (August 2, 2024 at 9:19 am)
- Patrick Miles on A second Family Bible Thank you for devoting valuable time to writing this fascinating Comment. If I may say so, it is awe-inspiring to see the author of a monumental work standing back from that... (July 31, 2024 at 5:32 pm)
- Laurence Brockliss on A second Family Bible Male Professionals in Nineteenth Century Britain was a new departure for me. For most of my adult life I have worked on seventeenth and eighteenth century France. It is also... (July 24, 2024 at 11:31 am)
Category Archives: Modern parallels
Guest post by Laurence Brockliss: The Historian, Middle-Class Marriage, and ‘Women in Love’
I have always been puzzled by Tolstoy’s apodictic statement about happy and unhappy marriages at the beginning of Anna Karenina. How on earth did he know? Even today when the state and the media have penetrated deeply into our private … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Agnes Gladstone, Ancestry.com, Anna Karenina, Arnold Bennett, Bensons, Brighton, Clayhanger, Colin Firth, D.H. Lawrence, Edward Charles Wickham, Edward Talbot, Edward White Benson, F.R. Leavis, Frieda von Richthofen, George Eliot, Henryck Wieniawski, Isabella Wieniawska, Jane Austen, Janet Catherine North, Jennifer Ehle, John Addington Symonds, Lady Chatterley's Lover, Laurence Brockliss, Leo Tolstoy, Lev Tolstoi, Lucy Trotman, marriage, Middlemarch, novels, Oxford, Pride and Prejudice, prosopographical studies, Robert Cooper Lee Bevan, Samuel Fiennes, Simon Goldhill, social history, The English Novel, These Twain, Winchester, Women in Love
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Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
8 Comments
Guest Post: Laurence Brockliss, ‘George Calderon and the Demographic Revolution’
George Calderon married Kittie shortly before his thirty-second birthday. For a professional man at the turn of the twentieth century, this was not an uncommon age to wed. For the last ten years I have been leading a cross-generational study … Continue reading
Posted in Edwardian character, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Aileen Alison Furse, Archie Ripley, Baines dynasty, biographies, birth rate, Cambridge Scool of Historical Demography, Charlotte Talbot, Clara Calderon, Demographic Revolution, Edward Baines Junior, Edward Baines Senior, Edward VII, Elizabeth Graham, George Armand Furse, George Calderon, George Gissing, Gonville and Caius College, grammar schools, Hazel Louisa Furse, Herbert Stanhope Baines, infant mortality, J.A. Banks, Jim Corbet, John William Baines, Kim Philby, Kittie Calderon, Leeds, Leeds Mercury, Liberal Party, marriage, New Grub Street, Nina Astley, Nina Corbet, professional class, prosopography, prostitution, public schools, Sir Roland James Corbet, The Great War, Victorian professions, Wilfred Owen, William Jackson, World War I
1 Comment
Guest post: Andrew Tatham, ‘A Group Photograph and the Pursuit of Personal History’
If there’s anything to be learned from biography it is that chance meetings can change lives. I first met Patrick Miles next to the warmth of the Aga in my cousin’s kitchen in 2006. I had met many of my … Continue reading
Posted in Heroism and Adventure, Modern parallels, Personal commentary
Tagged A Group Photograph, Andrew Tatham, art films, Battle of Passchendaele, Belgium, biographies, biography, British Expeditionary Force, Cyril Kingerlee, Elaine Kingerlee, exhibitions, George Calderon, George Calderon: Edwardian Genius, Gyles Brandreth, history, I Shall Not Be Away Long, Jeremy Vine, John Carey, Keith Simpson MP, Martin Middlebrook, Melvyn Bragg, Norfolk Open Studios, Passchendaele, Patrick Miles, Stephen Lucena, The Great War, William Boyd, World War I, Ypres
1 Comment
‘People are reading an awful lot…
…and many booksellers are doing mail order,’ writes Susan Hill in The Spectator. I should say they are! Click the prompt at the bottom of this post to buy my blockbuster biography from Sam&Sam while stocks last! Obsessed with self-image, … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged activism, Anna Karenina, Anton Chekhov, biographies, British Expeditionary Force, Dardanelles, Edward VII, Gallipoli, George Calderon, George Calderon: Edwardian Genius, Kittie Calderon, Middlemarch, New Drama, Nina Corbet, Oxfordshire and Buckinghamshire Light Infantry, polymathery, portfolio career, publicity, Russia, Sam&Sam, self-isolation, Susan Hill, Tahiti, The Edwardians, The Great War, The Spectator, Third Battle of Krithia, Times Literary Supplement, World War I, Ypres
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And the exhibition?
The actual exhibition The Rising Tide: Women at Cambridge is one of the best I have seen at the University Library in fifty years. Subsequent to my experience of the PR, I have visited it twice, spending a total of an … Continue reading
Posted in Edwardian character, Edwardian marriage, Modern parallels, Personal commentary
Tagged Agnata Ramsay, Behave Badly, Cambridge University Library, Chrystabel Proctor, Clare College, degrees for women, Elizabeth Hughes, Emily Davies, Emma Thompson, Emmeline Pankhurst, George Calderon, Germaine Greer, Girton College, Joanna Womack, lavatory paper, marketing, Men's League for Opposing Woman Suffrage, Millicent Fawcett, National Union of Women's Suffrage Societies, Newnham College, Philip Snowden, PR, Queen Anne, Sandi Toksvig, suffragettism, suffragism, The Rising Tide: Women at Cambridge, Votes for Women, Women's Social and Political Union
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A stone cries out
I have assiduously avoided expressing my own views about controversial matters on Calderonia, as it is simply not a personal blog in that sense. I am as silent as a stone on such things. Sometimes, however, as someone said, even … Continue reading
Posted in Edwardian character, Modern parallels, Personal commentary
Tagged Anton Chekhov, Behave Badly badges, Cambridge University Library, comments, gender equality, marketing, merchandise, Milstein Exhibition Centre, PR, The Rising Tide: Women at Cambridge, Three Sisters, Votes for Women
2 Comments
The War again
As readers of George Calderon: Edwardian Genius will know (go on, try it!), George and Kittie were very close to the Pym family, whose home was Foxwold at Brasted Chart in Kent. Violet Pym was Kittie’s niece by her first marriage and, … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Alan Moorehead, Aubrey Herbert, Brasted Chart, Charles Evelyn Pym, comments, Dardanelles, Foxwold, Gallipoli, Geoge Calderon: Edwardian Genius, George Calderon, Ian Hamilton, intercultural contact, Islam, Jack Pym, John Pym, Kittie Calderon, The Great War, Third Battle of Krithia, Turkish army, Violet Pym, World War I
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Guest Post: Sam2 on… ‘How to Typeset A Second Book’
The final act of Tarkovsky’s Andrei Rublev concerns a boy and a bell. In this hour-long conclusion to the film, the son of a deceased bellmaker persuades his village that the father bequeathed to him a secret bellmaking recipe. He … Continue reading
Posted in Modern parallels, Personal commentary, Uncategorized
Tagged Amazon, Amazon KDP, Andrei Rublev, Andrei Tarkovsky, biographies, Chris Johnson, Church Times, comments, George Calderon, George Calderon: Edwardian Genius, James Miles, John Polkinghorne, Kindle Direct Publishing, LibreOffice, OpenOffice, Patrick Miles, PDF, publishers, Sam&Sam, Sam1, Sam2, TeX, TeXWorks, typesetting, What Can We Hope For?
6 Comments
Rochelle Townsend’s ‘Uncle Vanya’
In my introduction to these four posts about the ‘mystery’ Misses and Misters who feature in my biography of George Calderon and the world of Edwardian Anglo-Russian cultural relations, I said that after Michael Pursglove’s magnificent post about the ‘mysterious’ … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Aldwych Theatre, Anton Chekhov, authorship, Chekhov on the British Stage, collaborators, comments, Constance Garnett, English premieres, George Calderon, Herbert Grimwood, Incorporated Stage Society, L.P. Hartley, Michael Pursglove, Rochelle Townsend, stage managers, translation, Uncle Vanya, Victoria & Albert Museum
1 Comment
From the diary of a writer-publisher: 3
14 May I gather, from a reliable source, that access to Calderonia has been blocked in Russia (I nearly said ‘the Soviet Union’). This would explain why no Russian viewers have featured in the stats for months. One can only … Continue reading
Posted in Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Akala, Amazon, biographies, biography, British Council, Calderonia, Clays Ltd, comments, cyber warfare, Earlham, Edward Lear, eschatology, Gallipoli, George Calderon, George Calderon: Edwardian Genius, haiku, James Tait Black Prize, Jenny Uglow, John Dewey, John Polkinghorne, Kittie Calderon, Leonid Brezhnev, Marie Colvin, paradise, Percy Lubbock, plastic, pollution, ravens, Russia, Sam&Sam, Sam2, self-publishing, Shetland, Simon Cooke, The Great War, Third Battle of Krithia, Vladimir Putin, wokefulness, World War I, Yell
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Inestimable Russianist 3: Harvey Pitcher
(This series is timed to coincide with the 2019 Annual Conference of the British Association for Slavonic and East European Studies at Robinson College, Cambridge.) Hale and hearty in his eighty-third year, Harvey Pitcher is not only one of this … Continue reading
Posted in Edwardian character, Edwardian English, Modern parallels, Personal commentary
Tagged Academe, Anton Chekhov, BASEES, biographies, biography, comments, communication, Emma Dashwood, emotional networks, Ferdinand Mount, George Calderon, Glasgow University, governesses, Harvey Pitcher, John Dewey, Joint Services School of Linguists, lack of communication, Lady with the Little Dog, Leningrad, Michael Pursglove, Mikhail Bakhtin, Oxford University, Russia, Russianists, St Andrews University, The Smiths of Moscow, USSR
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Inestimable Russianist 2: John Dewey
(This series is timed to coincide with the 2019 Annual Conference of the British Association for Slavonic and East European Studies at Robinson College, Cambridge.) It is no exaggeration to say that John Dewey befriended Calderonia out of the blue — … Continue reading
Posted in Modern parallels, Personal commentary
Tagged Academe, Alexander Pushkin, Alexandrine, biographies, biography, Boris Yampolsky, Brimstone Press, choriamb, comments, Fedor Tiutchev, Fyodor Tyutchev, George Calderon, Glas, Harvey Pitcher, Irina Muravyova, John Dewey, John Dryden Prize, Ksenia Zhukova, Michael Pursglove, Mirror of the Soul: A Life of the Poet Tyutchev, prosody, publishers, Ruslan and Ludmila, Russian Studies, Stanley Mitchell, T.J. Binyon, The Bronze Horseman, Yevgeny Zamyatin
1 Comment
Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading →