Category Archives: Edwardian marriage

Percy Lubbock: ‘Esoteric and intimate portraiture’

  One of Ruth Scurr’s aims in John Aubrey: My Own Life was to ‘produce a portrait’ of Aubrey, but naturally she did not write it in the biographical genre known as ‘literary portrait’. This genre seems to have grown out … Continue reading

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Kittie Hamilton

I have returned from holiday fired up to put the last tittle on my biography by the end of November and get copies to the interested publishers immediately afterwards. This means writing the Afterword (‘Who George Calderon Was’), radically improving the … Continue reading

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Guest post: Alison Miles, ‘Living with George and Kittie since the mid-1980s’

When I first heard about George Calderon it was the mid-1980s and my time was mainly taken up with small children. However I realised that something big was starting when Patrick went to Scotland to visit an attic full of … Continue reading

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‘Things are still coming up’

The rather shaken and stirred papers of George and Kittie Calderon were finally married and chronologically sorted five years ago, and the surviving 247 books of their library were carefully flipped through revealing fascinating photographs, visiting cards, notes and even … Continue reading

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Intemperance and ‘Heroism’

On 30 August 1920, Kittie received through the post the first draft of Laurence Binyon’s ode to George’s memory, see https://www.poetryfoundation.org/poems-and-poets/poems/detail/57345 . She was at Constance Sutton’s Tudor home in Herefordshire, Brinsop Court, and wrote to Binyon next day that she had … Continue reading

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The Nastiness Factor

I have ‘worked with’ the Edwardians, so to speak, for a while now. I feel that if I were dropped into London society around 1905 I would know my bearings and could hold my own. There is much that, having … Continue reading

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Afterword ‘spoilers’?

Veteran followers of this blog will know that my estimates of how long it is going to take to complete any given piece of writing connected with my biography of George and Kittie Calderon are usually out by a factor … Continue reading

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Kittie absolved, Lydia looks in

I received my copy of the second edition of George’s Two Plays by Tchekhof from a distinguished bookseller in Cumbria, and promptly set about comparing its Introduction with that of both the first edition and the Chekhov volume edited by Kittie … Continue reading

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‘Yes, but — ‘

The reason I suspected it was Kittie who changed George’s words about the meaning of life at the end of his Chekhov Introduction when she edited his selected works, was that she could rarely resist expressing her own views on … Continue reading

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Future biographers of George Calderon…

Even at this late stage, ‘things keep coming up’. It took me, as predicted, two pretty full days to input to the text of my biography (167,000 words) the 1000+ corrections and revisions that emerged from my two complete readings … Continue reading

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‘Solved!’

I am so relieved to have completed the re-hoover of my 165,000-word typescript in six working days — approximately a fifth of the time my disastrous ‘final’ hoover took (see ‘O, fallacem hominum spem!’ of 27 July). I must say, … Continue reading

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Archive

In my last post I should have explained that some of my fury at having to check again every quotation and fact in the typescript came from the necessity it entailed of taking scores of manuscripts out of George and … Continue reading

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Mrs Stewart of Torquay recalibrated

I refer new followers to my post of 1 June 2016. The reason it was important to find out more about the life of Mrs Eliza Stewart, even so late in the project, is that after the sudden death in … Continue reading

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Three women follow the Somme

After Kittie Calderon had done all she could to establish George’s fate at Gallipoli on 4 June 1915, and accepted that she would live by the faith that he was in a Turkish prisoner of war camp, she suffered a … Continue reading

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Zamyatin: Ross: Calderon

Everyone should read Zamyatin’s anti-Utopian novel We, which had such an impact on George Orwell and is so different from his own 1984. But I don’t believe newcomers to Zamyatin should start with the masterpiece… The best way into the delightful, … Continue reading

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Thank you; and Bunty!

Last Thursday here in Cambridge I went to see a new production of Patrick Marber’s version of Strindberg’s Miss Julie, set in Britain 1945. I would be surprised if there is a tougher, less sentimental play touring England at this moment (it … Continue reading

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